https://cplusc.xyz/mona-hatoum-fondazione-prada-milano-recensione/https://cplusc.xyz/wp-content/uploads/2026/03/14-fondazione-prada_mona-hatoum.jpg14-Fondazione Prada_Mona HatoumExhibition view of Over, Under and In Between by Mona Hatoum, Fondazione Prada, Milan, 29 January – 9 November 2026. Photo: Roberto Marossi. Courtesy Fondazione Prada. Mona Hatoum, Map (red), 2026, 25 mm clear red glass ballshttps://cplusc.xyz/wp-content/uploads/2026/03/12-fondazione-prada_mona-hatoum.jpg12-Fondazione Prada_Mona HatoumExhibition view of Over, Under and In Between by Mona Hatoum, Fondazione Prada, Milan, 29 January – 9 November 2026. Photo: Roberto Marossi. Courtesy Fondazione Prada. Mona Hatoum, Map (red), 2026, 25 mm clear red glass ballshttps://cplusc.xyz/wp-content/uploads/2026/03/13-fondazione-prada_mona-hatoum.jpg13-Fondazione Prada_Mona HatoumExhibition view of Over, Under and In Between by Mona Hatoum, Fondazione Prada, Milan, 29 January – 9 November 2026. Photo: Roberto Marossi. Courtesy Fondazione Prada. Mona Hatoum, Map (red), 2026, 25 mm clear red glass ballshttps://cplusc.xyz/wp-content/uploads/2026/03/4-fondazione-prada_mona-hatoum.jpg4-Fondazione Prada_Mona HatoumExhibition view of Over, Under and In Between by Mona Hatoum, Fondazione Prada, Milan, 29 January – 9 November 2026. Photo: Roberto Marossi. Courtesy Fondazione Prada. Mona Hatoum, Map (red), 2026, 25 mm clear red glass ballshttps://cplusc.xyz/wp-content/uploads/2026/03/3-fondazione-prada_mona-hatoum.jpg3-Fondazione Prada_Mona HatoumExhibition view of Over, Under and In Between by Mona Hatoum, Fondazione Prada, Milan, 29 January – 9 November 2026. Photo: Roberto Marossi. Courtesy Fondazione Prada. Mona Hatoum, Map (red), 2026, 25 mm clear red glass ballshttps://cplusc.xyz/wp-content/uploads/2026/03/10-fondazione-prada_mona-hatoum.jpg10-Fondazione Prada_Mona HatoumExhibition view of Over, Under and In Between by Mona Hatoum, Fondazione Prada, Milan, 29 January – 9 November 2026. Photo: Roberto Marossi. Courtesy Fondazione Prada. Mona Hatoum, Map (red), 2026, 25 mm clear red glass ballshttps://cplusc.xyz/wp-content/uploads/2026/03/1-fondazione-prada_mona-hatoum.jpg1-Fondazione Prada_Mona HatoumExhibition view of Over, Under and In Between by Mona Hatoum, Fondazione Prada, Milan, 29 January – 9 November 2026. Photo: Roberto Marossi. Courtesy Fondazione Prada. Mona Hatoum, Web, 2026, hand-blown clear glass spheres, stainless steel cablehttps://cplusc.xyz/wp-content/uploads/2026/03/11-fondazione-prada_mona-hatoum.jpg11-Fondazione Prada_Mona HatoumExhibition view of Over, Under and In Between by Mona Hatoum, Fondazione Prada, Milan, 29 January – 9 November 2026. Photo: Roberto Marossi. Courtesy Fondazione Prada. Mona Hatoum, Map (red), 2026, 25 mm clear red glass ballshttps://cplusc.xyz/wp-content/uploads/2026/03/8-fondazione-prada_mona-hatoum.jpg8-Fondazione Prada_Mona HatoumExhibition view of Over, Under and In Between by Mona Hatoum, Fondazione Prada, Milan, 29 January – 9 November 2026. Photo: Roberto Marossi. Courtesy Fondazione Prada. Mona Hatoum, Web, 2026, hand-blown clear glass spheres, stainless steel cablehttps://cplusc.xyz/wp-content/uploads/2026/03/2-fondazione-prada_mona-hatoum.jpg2-Fondazione Prada_Mona HatoumExhibition view of Over, Under and In Between by Mona Hatoum, Fondazione Prada, Milan, 29 January – 9 November 2026. Photo: Roberto Marossi. Courtesy Fondazione Prada. Mona Hatoum, Web, 2026, hand-blown clear glass spheres, stainless steel cable2026-03-25T21:52:32+00:00weekly0.6https://cplusc.xyz/2026/03/26/mona-hatoum-fondazione-prada-milan-review/2026-03-25T21:51:48+00:00monthlyhttps://cplusc.xyz/intervista-bianca-felicori/2026-03-25T21:50:27+00:00weekly0.6https://cplusc.xyz/2026/03/26/interview-bianca-felicori/https://cplusc.xyz/wp-content/uploads/2026/03/p.-226.jpgp. 226Luigi Ciapparella, Extension of the Cemetery of Busto Arsizio, Italy, ca. 1970. Image credits: Stefano Peregohttps://cplusc.xyz/wp-content/uploads/2026/03/p.126.jpgp.126Vittorio Giorgini, Casa Saldarini, Piombino, Italy, 1961-62. Image credits: Archives Nice Côte d’Azur – Ville de Nice, fonds Guy Rottierhttps://cplusc.xyz/wp-content/uploads/2026/03/bianca-felicori-1.jpgBianca Felicori (1)Bianca Felicori. Credits: Benedetta Andrea Bonaschihttps://cplusc.xyz/wp-content/uploads/2026/03/bianca-felicori-2.jpgBianca Felicori (2)Bianca Felicori. Credits: Benedetta Andrea Bonaschihttps://cplusc.xyz/wp-content/uploads/2026/03/p.14.jpgp.14Ken Isaacs, Beach Matrix, Westport, Connecticut, 1967. Image credits: Archivio Vittorio Giorgini, Camilla Messini, Giovanni Presuttihttps://cplusc.xyz/wp-content/uploads/2026/03/p.188.jpgp.188Cesare Leonardi, Casa Mescoli-Goich, Modena, Italy, 1984-93. Image credits: Archivio Cesare Leonardi Progettihttps://cplusc.xyz/wp-content/uploads/2026/03/p.-170.jpgp. 170Giuseppe Perugini with Uga De Plaisant and Raynaldo Perugini, Casa Albero, Fregene, 1968-1975. Image credits: Archivio Studio Peruginihttps://cplusc.xyz/wp-content/uploads/2026/03/p.-206.jpgp. 206LIBERATO, “TU T’E SCURDAT’ ‘E ME,” 2017. Image credits: screenshot from the music video “TU T’E SCURDAT’ ‘E ME,” 2017; photographs of the architectural complex by Fabrizio Vatierihttps://cplusc.xyz/wp-content/uploads/2026/03/p.199.jpgPicture 036Rkomi x TNS aka The Night Skinny, “Fuck Tomorrow,” 2016. Image credits: screenshots from the video of “Fuck Tomorrow,” 2016; photographs by Federico Torra2026-03-25T21:49:37+00:00monthlyhttps://cplusc.xyz/giancarlo-e-sandra-bonollo-intervista/2026-03-25T21:02:57+00:00weekly0.6https://cplusc.xyz/2026/03/26/giancarlo-and-sandra-bonollo-interview/https://cplusc.xyz/wp-content/uploads/2026/03/1-2.jpg1Frieda Toranzo Jaeger. Visioni, installation view, Fondazione Bonollo, Thiene 2026. Photo Giovanni Canovahttps://cplusc.xyz/wp-content/uploads/2026/03/2-2.jpg2Frieda Toranzo Jaeger. Visioni, installation view, Fondazione Bonollo, Thiene 2026. Photo Giovanni Canovahttps://cplusc.xyz/wp-content/uploads/2026/03/3-4.jpg3Frieda Toranzo Jaeger. Visioni, installation view, Fondazione Bonollo, Thiene 2026. Photo Giovanni Canovahttps://cplusc.xyz/wp-content/uploads/2026/03/4-1.jpg4Frieda Toranzo Jaeger. Visioni, installation view, Fondazione Bonollo, Thiene 2026. Photo Giovanni Canovahttps://cplusc.xyz/wp-content/uploads/2026/03/5-1.jpg5Frieda Toranzo Jaeger. Visioni, installation view, Fondazione Bonollo, Thiene 2026. Photo Giovanni Canovahttps://cplusc.xyz/wp-content/uploads/2026/03/6-1.jpg6Frieda Toranzo Jaeger. Visioni, installation view, Fondazione Bonollo, Thiene 2026. Photo Giovanni Canovahttps://cplusc.xyz/wp-content/uploads/2026/03/7.jpg7Annette Barcelo. Melamptha, installation view, Fondazione Bonollo, Thiene 2026. Photo Giovanni Canovahttps://cplusc.xyz/wp-content/uploads/2026/03/8-1.jpg8Annette Barcelo. Melamptha, installation view, Fondazione Bonollo, Thiene 2026. Photo Giovanni Canovahttps://cplusc.xyz/wp-content/uploads/2026/03/10-1.jpg10Annette Barcelo. Melamptha, installation view, Fondazione Bonollo, Thiene 2026. Photo Giovanni Canovahttps://cplusc.xyz/wp-content/uploads/2026/03/9-1.jpg9Annette Barcelo. Melamptha, installation view, Fondazione Bonollo, Thiene 2026. Photo Giovanni Canova2026-03-25T20:59:53+00:00monthlyhttps://cplusc.xyz/recensione-corradini-ghirri-venezia/2026-03-19T07:56:53+00:00weekly0.6https://cplusc.xyz/2026/03/19/review-corradini-ghirri-venice/https://cplusc.xyz/wp-content/uploads/2026/03/14_disapparire_foto-adriano-mura.jpg14_Disapparire_Foto Adriano MuraDisapparire. Antonio Corradini e Luigi Ghirri, exhibition view, Fondazione Querini Stampalia, Venice. © Fondazione Querini Stampalia. Photo Adriano Murahttps://cplusc.xyz/wp-content/uploads/2026/03/15_disapparire_foto-adriano-mura.jpg15_Disapparire_Foto Adriano MuraDisapparire. Antonio Corradini e Luigi Ghirri, exhibition view, Fondazione Querini Stampalia, Venice. © Fondazione Querini Stampalia. Photo Adriano Murahttps://cplusc.xyz/wp-content/uploads/2026/03/7_disapparire_foto-adriano-mura.jpg7_Disapparire_Foto Adriano MuraDisapparire. Antonio Corradini e Luigi Ghirri, exhibition view, Fondazione Querini Stampalia, Venice. © Fondazione Querini Stampalia. Photo Adriano Murahttps://cplusc.xyz/wp-content/uploads/2026/03/9_disapparire_foto-adriano-mura.jpg9_Disapparire_Foto Adriano MuraDisapparire. Antonio Corradini e Luigi Ghirri, exhibition view, Fondazione Querini Stampalia, Venice. © Fondazione Querini Stampalia. Photo Adriano Murahttps://cplusc.xyz/wp-content/uploads/2026/03/8_disapparire_foto-adriano-mura.jpg8_Disapparire_Foto Adriano MuraDisapparire. Antonio Corradini e Luigi Ghirri, exhibition view, Fondazione Querini Stampalia, Venice. © Fondazione Querini Stampalia. Photo Adriano Murahttps://cplusc.xyz/wp-content/uploads/2026/03/6_disapparire_foto-adriano-mura.jpg6_Disapparire_Foto Adriano MuraDisapparire. Antonio Corradini e Luigi Ghirri, exhibition view, Fondazione Querini Stampalia, Venice. © Fondazione Querini Stampalia. Photo Adriano Murahttps://cplusc.xyz/wp-content/uploads/2026/03/13_disapparire_foto-adriano-mura.jpg13_Disapparire_Foto Adriano MuraDisapparire. Antonio Corradini e Luigi Ghirri, exhibition view, Fondazione Querini Stampalia, Venice. © Fondazione Querini Stampalia. Photo Adriano Murahttps://cplusc.xyz/wp-content/uploads/2026/03/10_disapparire_foto-adriano-mura.jpg10_Disapparire_Foto Adriano MuraDisapparire. Antonio Corradini e Luigi Ghirri, exhibition view, Fondazione Querini Stampalia, Venice. © Fondazione Querini Stampalia. Photo Adriano Murahttps://cplusc.xyz/wp-content/uploads/2026/03/11_disapparire_foto-adriano-mura.jpg11_Disapparire_Foto Adriano MuraDisapparire. Antonio Corradini e Luigi Ghirri, exhibition view, Fondazione Querini Stampalia, Venice. © Fondazione Querini Stampalia. Photo Adriano Murahttps://cplusc.xyz/wp-content/uploads/2026/03/4_disapparire_foto-adriano-mura.jpg4_Disapparire_Foto Adriano MuraDisapparire. Antonio Corradini e Luigi Ghirri, exhibition view, Fondazione Querini Stampalia, Venice. © Fondazione Querini Stampalia. Photo Adriano Mura2026-03-19T07:55:39+00:00monthlyhttps://cplusc.xyz/recensione-benni-bosetto-milano/https://cplusc.xyz/wp-content/uploads/2026/03/s4a4892.jpgS4A4892Benni Bosetto, Tango (II version), 2026. Performance and installation view, Pirelli HangarBicocca, Milan, 2026. Produced by Pirelli HangarBicocca. Courtesy the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osiohttps://cplusc.xyz/wp-content/uploads/2026/03/s4a4827.jpgS4A4827Benni Bosetto, Tango (II version), 2026. Performance and installation view, Pirelli HangarBicocca, Milan, 2026. Produced by Pirelli HangarBicocca. Courtesy the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osiohttps://cplusc.xyz/wp-content/uploads/2026/03/ago4674.jpg_AGO4674Benni Bosetto, La bocca (detail), 2022. Installation view, Pirelli HangarBicocca, Milan, 2026. Courtesy the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osiohttps://cplusc.xyz/wp-content/uploads/2026/03/ago4644.jpg_AGO4644Benni Bosetto, Confessionale animale, 2026. Installation view, Pirelli HangarBicocca, Milan, 2026. Produced by Pirelli HangarBicocca. Courtesy the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osiohttps://cplusc.xyz/wp-content/uploads/2026/03/ago4600.jpg_AGO4600Benni Bosetto, Rebecca. Exhibition view, Pirelli HangarBicocca, Milan, 2026. Courtesy the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osiohttps://cplusc.xyz/wp-content/uploads/2026/03/ago4582.jpg_AGO4582Benni Bosetto, Rebecca. Exhibition view, Pirelli HangarBicocca, Milan, 2026. Courtesy the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osiohttps://cplusc.xyz/wp-content/uploads/2026/03/ago4658.jpg_AGO4658Benni Bosetto, Corridoio orgonico (detail), 2026. Installation view, Pirelli HangarBicocca, Milan, 2026. Produced by Pirelli HangarBicocca. Courtesy the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osiohttps://cplusc.xyz/wp-content/uploads/2026/03/ago4576.jpg_AGO4576Benni Bosetto, Porta pannocchia, 2026. Installation view, Pirelli HangarBicocca, Milan, 2026. Produced by Pirelli HangarBicocca. Courtesy the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osiohttps://cplusc.xyz/wp-content/uploads/2026/03/ago4641.jpg_AGO4641Benni Bosetto, Rebecca. Exhibition view, Pirelli HangarBicocca, Milan, 2026. Courtesy the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osiohttps://cplusc.xyz/wp-content/uploads/2026/03/ago4594.jpg_AGO4594Benni Bosetto, Rebecca. Exhibition view, Pirelli HangarBicocca, Milan, 2026. Courtesy the artist and Pirelli HangarBicocca, Milan. Photo: Agostino Osio2026-03-18T17:32:50+00:00weekly0.6https://cplusc.xyz/2026/03/19/benni-bosetto-review-milan/2026-03-18T17:30:16+00:00monthlyhttps://cplusc.xyz/intervista-andrea-lerda/https://cplusc.xyz/wp-content/uploads/2026/03/9.jpg9Emilija Škarnulytė, Ofiolite, 2025. Artwork view in the exhibition The New Orchestra. From Mountain Communities to the Community of the Future, 2025. Courtesy of the artist and the Museo Nazionale della Montagnahttps://cplusc.xyz/wp-content/uploads/2026/03/11.jpg11Fabio Roncato, Momentum. View of the site-specific installation on the panoramic terrace of Museomontagna, 2024. Photo: Maria Chiara Piglione. Courtesy of the artisthttps://cplusc.xyz/wp-content/uploads/2026/03/2.jpg2Marinella Senatore, Post Water Choreography Project, 2019. Performance as part of the exhibition. Post Water Turin, various venues. Courtesy of the artist and the Museo Nazionale della Montagnahttps://cplusc.xyz/wp-content/uploads/2026/03/3.jpg3Marinella Senatore, Post Water Choreography Project, 2019. Performance as part of the exhibition Post Water. Courtesy of the artist and the Museo Nazionale della Montagnahttps://cplusc.xyz/wp-content/uploads/2026/03/1.jpg1Sibylle Duboc, The March of the Glaciers, 2025. Itinerant performance as part of the Walking Mountains Social Walks program Turin city centre and various venues. Photo: Geordy Bergerone. Courtesy of the artist, Museo Nazionale della Montagna and Mucho Mas!, Turinhttps://cplusc.xyz/wp-content/uploads/2026/03/5.jpg5The New Orchestra. From Mountain Communities to the Community of the Future Exhibition view, 2025. Photo: Mariano Dallago. Courtesy Museo Nazionale della Montagnahttps://cplusc.xyz/wp-content/uploads/2026/03/6.jpg6Eugenio Tibaldi, Marginal Heights, 2025. Artwork view in the exhibition The New Orchestra. From Mountain Communities to the Community of the Future. Photo: Mariano Dallago. Courtesy of the artist and the Museo Nazionale della Montagnahttps://cplusc.xyz/wp-content/uploads/2026/03/4.jpg4Laboratorio Montagna. Museo Città Territori. Sistemi in divenire. Exhibition view, 2022. Photo: Mariano Dallago. Courtesy Museo Nazionale della Montagnahttps://cplusc.xyz/wp-content/uploads/2026/03/ritratto-andrea-lerda.jpgAndrea LerdaAndrea Lerdahttps://cplusc.xyz/wp-content/uploads/2026/03/10.jpg10The Mountain Touch. A Voyage in Healing Nature, Exhibition view of the Museomontagna exhibition at MUSE – Museo delle Scienze, Trento, 2024. Courtesy MUSE and Museo Nazionale della Montagna2026-03-12T16:03:49+00:00weekly0.6https://cplusc.xyz/intervista-moza-almatrooshi/https://cplusc.xyz/wp-content/uploads/2026/03/3-3.jpg3 (3)Moza Almatrooshi, performance derived from The Agriculture School, part of the exhibition On Foraging, 421 Arts Campus, 2022. The programme and performance were planned and cooked in collaboration with artist Nahla Al Tabbaa. Credits: Al Ameel. Courtesy of 421 Arts Campushttps://cplusc.xyz/wp-content/uploads/2026/03/3-1.jpg3 (1)Moza Almatrooshi, performance derived from The Agriculture School, part of the exhibition On Foraging, 421 Arts Campus, 2022. The programme and performance were planned and cooked in collaboration with artist Nahla Al Tabbaa. Credits: Al Ameel. Courtesy of 421 Arts Campushttps://cplusc.xyz/wp-content/uploads/2026/03/2-1.jpg2 (1)Moza Almatrooshi, ballad’s Edible Library project, in collaboration with architects Omar Darwish and Abdulla Abbas, 2025. Courtesy of Dubai Design Weekhttps://cplusc.xyz/wp-content/uploads/2026/03/1-1.jpg1 (1)Moza Almatrooshi. Photo: Arnold Barrettohttps://cplusc.xyz/wp-content/uploads/2026/03/3-2.jpg3 (2)Moza Almatrooshi, performance derived from The Agriculture School, part of the exhibition On Foraging, 421 Arts Campus, 2022. The programme and performance were planned and cooked in collaboration with artist Nahla Al Tabbaa. Credits: Al Ameel. Courtesy of 421 Arts Campus2026-03-11T19:32:28+00:00weekly0.6https://cplusc.xyz/2026/03/12/nterview-moza-almatrooshi/2026-03-11T19:30:27+00:00monthlyhttps://cplusc.xyz/john-giorno-recensione-bologna/2026-03-11T19:28:11+00:00weekly0.6https://cplusc.xyz/2026/03/12/john-giorno-review-bologna/https://cplusc.xyz/wp-content/uploads/2026/03/12_johngiorno_mambo_2026_phodecarlo_53.jpg12_JohnGiorno_MAMbo_2026_phODeCarlo_53John Giorno: The Performative Word, exhibition view, MAMbo ‒ Museo d'Arte Moderna di Bologna, Sala delle Ciminiere. Courtesy MAMbo ‒ Museo d'Arte Moderna di Bologna | Settore Musei Civici | Comune di Bologna. Photo by Ornella De Carlohttps://cplusc.xyz/wp-content/uploads/2026/03/5_johngiorno_mambo_2026_phodecarlo_20.jpg5_JohnGiorno_MAMbo_2026_phODeCarlo_20John Giorno: The Performative Word, exhibition view, MAMbo ‒ Museo d'Arte Moderna di Bologna, Sala delle Ciminiere. Courtesy MAMbo ‒ Museo d'Arte Moderna di Bologna | Settore Musei Civici | Comune di Bologna. Photo by Ornella De Carlohttps://cplusc.xyz/wp-content/uploads/2026/03/10_johngiorno_mambo_2026_phodecarlo_47.jpg10_JohnGiorno_MAMbo_2026_phODeCarlo_47John Giorno: The Performative Word, exhibition view, MAMbo ‒ Museo d'Arte Moderna di Bologna, Sala delle Ciminiere. Courtesy MAMbo ‒ Museo d'Arte Moderna di Bologna | Settore Musei Civici | Comune di Bologna. Photo by Ornella De Carlohttps://cplusc.xyz/wp-content/uploads/2026/03/13_johngiorno_mambo_2026_phodecarlo_64.jpg13_JohnGiorno_MAMbo_2026_phODeCarlo_64John Giorno: The Performative Word, exhibition view, MAMbo ‒ Museo d'Arte Moderna di Bologna, Sala delle Ciminiere. Courtesy MAMbo ‒ Museo d'Arte Moderna di Bologna | Settore Musei Civici | Comune di Bologna. Photo by Ornella De Carlohttps://cplusc.xyz/wp-content/uploads/2026/03/4_johngiorno_mambo_2026_phodecarlo_16.jpg4_JohnGiorno_MAMbo_2026_phODeCarlo_16John Giorno: The Performative Word, exhibition view, MAMbo ‒ Museo d'Arte Moderna di Bologna, Sala delle Ciminiere. Courtesy MAMbo ‒ Museo d'Arte Moderna di Bologna | Settore Musei Civici | Comune di Bologna. Photo by Ornella De Carlohttps://cplusc.xyz/wp-content/uploads/2026/03/1_johngiorno_mambo_2026_phodecarlo_2.jpg1_JohnGiorno_MAMbo_2026_phODeCarlo_2John Giorno: The Performative Word, exhibition view, MAMbo ‒ Museo d'Arte Moderna di Bologna, Sala delle Ciminiere. Courtesy MAMbo ‒ Museo d'Arte Moderna di Bologna | Settore Musei Civici | Comune di Bologna. Photo by Ornella De Carlohttps://cplusc.xyz/wp-content/uploads/2026/03/2_johngiorno_mambo_2026_phodecarlo_3.jpg2_JohnGiorno_MAMbo_2026_phODeCarlo_3John Giorno: The Performative Word, exhibition view, MAMbo ‒ Museo d'Arte Moderna di Bologna, Sala delle Ciminiere. Courtesy MAMbo ‒ Museo d'Arte Moderna di Bologna | Settore Musei Civici | Comune di Bologna. Photo by Ornella De Carlohttps://cplusc.xyz/wp-content/uploads/2026/03/9_johngiorno_mambo_2026_phodecarlo_46.jpg9_JohnGiorno_MAMbo_2026_phODeCarlo_46John Giorno: The Performative Word, exhibition view, MAMbo ‒ Museo d'Arte Moderna di Bologna, Sala delle Ciminiere. Courtesy MAMbo ‒ Museo d'Arte Moderna di Bologna | Settore Musei Civici | Comune di Bologna. Photo by Ornella De Carlohttps://cplusc.xyz/wp-content/uploads/2026/03/8_johngiorno_mambo_2026_phodecarlo_41.jpg8_JohnGiorno_MAMbo_2026_phODeCarlo_41John Giorno: The Performative Word, exhibition view, MAMbo ‒ Museo d'Arte Moderna di Bologna, Sala delle Ciminiere. Courtesy MAMbo ‒ Museo d'Arte Moderna di Bologna | Settore Musei Civici | Comune di Bologna. Photo by Ornella De Carlohttps://cplusc.xyz/wp-content/uploads/2026/03/3_johngiorno_mambo_2026_phodecarlo_8.jpg3_JohnGiorno_MAMbo_2026_phODeCarlo_8John Giorno: The Performative Word, exhibition view, MAMbo ‒ Museo d'Arte Moderna di Bologna, Sala delle Ciminiere. Courtesy MAMbo ‒ Museo d'Arte Moderna di Bologna | Settore Musei Civici | Comune di Bologna. Photo by Ornella De Carlo2026-03-11T19:26:07+00:00monthlyhttps://cplusc.xyz/2026/03/12/interview-andrea-lerda/2026-03-11T13:26:03+00:00monthlyhttps://cplusc.xyz/2025/12/11/interview-with-lorenzo-balbi/2026-03-06T09:50:10+00:00monthlyhttps://cplusc.xyz/intervista-lorenzo-balbi/https://cplusc.xyz/wp-content/uploads/2025/12/4_art-city-bologna-2025_le-porte-della-citta.jpg4_ART CITY Bologna 2025_Le Porte della CittàART CITY Bologna 2025, Special Program Le Porte della Città. Courtesy of MAMbo - Museum of Modern Art in Bologna, part of the Civic Museums Sector of the Municipality of Bolognahttps://cplusc.xyz/wp-content/uploads/2025/12/2_opening-nuovo-forno-pane_2020.jpg2_Opening Nuovo Forno Pane_2020Nuovo Forno del Pane, opening, MAMbo - Museum of Modern Art in Bologna, 2020. Courtesy of MAMbo - Museum of Modern Art in Bologna, part of the Civic Museums Sector of the Municipality of Bologna https://cplusc.xyz/wp-content/uploads/2025/12/1_lorenzo-balbi_ornella-de-carlo.jpg1_Lorenzo Balbi_Ornella De CarloLorenzo Balbi, director of MAMbo - Museum of Modern Art in Bologna. Photo by Ornella De Carlohttps://cplusc.xyz/wp-content/uploads/2025/12/8_facile-ironia_foto-di-carlo-favero.jpg8_Facile ironia_Foto di Carlo FaveroView of the exhibition Facile ironia. Irony in Italian art between the 20th and 21st centuries, MAMbo - Museum of Modern Art in Bologna. Photo by Carlo Favero. Courtesy of MAMbo - Museum of Modern Art in Bologna, part of the Civic Museums Sector of the Municipality of Bolognahttps://cplusc.xyz/wp-content/uploads/2025/12/6_john-giorno_you-got-to-burn-to-shine-1989.-acrylic-on-viynl.-48x48-inches.-courtesy-of-giorno-poetry-systems.jpgArtwork by John GiornoJohn Giorno, YOU GOT TO BURN TO SHINE, 1989. Acrylic on vinyl, 48x48 inches. Courtesy of Giorno Poetry Systemshttps://cplusc.xyz/wp-content/uploads/2025/12/3_nuovo-forno-del-pane-outdoor-edition-2024_valentina-cafarotti-e-federico-landi-di-migliorare-con-l_eta.jpg3_Nuovo Forno del Pane Outdoor Edition 2024_Valentina Cafarotti e Federico Landi di Migliorare con l_etàNuovo Forno del Pane Outdoor edition 2024, self-training activities in the WWF Oasis of Montovolo. Photo by Valentina Cafarotti and Federico Landi of Migliorare con l'età (Improving with Age). Courtesy of MAMbo - Museum of Modern Art in Bologna, part of the Civic Museums Sector of the Municipality of Bolognahttps://cplusc.xyz/wp-content/uploads/2025/12/5_art-city-bologna-2024_special-project_virgilio-sieni_elegia-luminosa_teatro-comunale-di-bologna.jpg5_ART CITY Bologna 2024_Special project_Virgilio Sieni_Elegia Luminosa_Teatro Comunale di BolognaART CITY Bologna 2024, Special project Elegia Luminosa, Virgilio Sieni, Teatro Comunale di Bologna. Courtesy of MAMbo - Museum of Modern Art in Bologna, part of the Civic Museums Sector of the Municipality of Bologna2026-03-06T09:48:57+00:00weekly0.6https://cplusc.xyz/intervista-valentina-tanni/2026-03-05T08:57:07+00:00weekly0.6https://cplusc.xyz/2026/03/05/interview-valentina-tanni/https://cplusc.xyz/wp-content/uploads/2026/03/valentina-tanni-reality-quest-2025-the-lamp-liminal-space-roma.jpgValentina Tanni, reality Quest, 2025 - The Lamp, Liminal Space, RomaValentina Tanni, reality Quest, 2025 - The Lamp, Liminal Space, Romahttps://cplusc.xyz/wp-content/uploads/2026/03/valentina-tanni.jpgValentina TanniValentina Tannihttps://cplusc.xyz/wp-content/uploads/2026/03/stop-and-go.-the-art-of-animated-gifs-mglc-e28093-international-centre-for-graphic-art-ljubljana-2018.jpgStop and Go. The Art of Animated Gifs, MGLC – International Centre for Graphic Art, Ljubljana, 2018Stop and Go. The Art of Animated Gifs, MGLC – International Centre for Graphic Art, Ljubljana, 2018https://cplusc.xyz/wp-content/uploads/2026/03/arte-19-_-virus-virtual-reality-game-2020-.pngArte-19 _ Virus Virtual Reality Game, 2020Arte-19 _ Virus Virtual Reality Game, 2020 https://cplusc.xyz/wp-content/uploads/2026/03/valentina-tanni_.jpgValentina Tanni_Valentina Tannihttps://cplusc.xyz/wp-content/uploads/2026/03/valentina-tanni-the-great-wall-of-memes-the-darknet.-from-memes-to-onionland-kunst-halle-sankt-gallen-2014.jpgValentina Tanni, The Great Wall of Memes - The Darknet. From Memes to Onionland, Kunst Halle Sankt Gallen, 2014Valentina Tanni, The Great Wall of Memes - The Darknet. From Memes to Onionland, Kunst Halle Sankt Gallen, 2014https://cplusc.xyz/wp-content/uploads/2026/03/mara-oscar-cassiani-spirit-avatar-filtro-instagram-mostra-art-layers-on-artribune-2021.jpgMara Oscar Cassiani, Spirit Avatar, filtro Instagram - mostra Art Layers on Artribune, 2021Mara Oscar Cassiani, Spirit Avatar, filtro Instagram - mostra Art Layers on Artribune, 2021https://cplusc.xyz/wp-content/uploads/2026/03/unreel-e28093-a-door-to-alternative-realities-rassegna-di-arte-digitale-nello-spazio-pubblico-the-gate-e28093-bergamo-brescia-aprile-giugno-2023.jpgUnreel – A door to alternative realities, Rassegna di arte digitale nello spazio pubblico, The Gate – Bergamo, Brescia (aprile-giugno 2023)Unreel – A door to alternative realities, Rassegna di arte digitale nello spazio pubblico, The Gate – Bergamo, Brescia (aprile-giugno 2023)https://cplusc.xyz/wp-content/uploads/2026/03/brody-condon-adam-killer-2000-loading-museo-montevergini-siracusa-2023.jpgBrody Condon, Adam Killer, 2000 - L'oading, Museo Montevergini, Siracusa, 2023Brody Condon, Adam Killer, 2000 - L'oading, Museo Montevergini, Siracusa, 20232026-03-05T08:56:22+00:00monthlyhttps://cplusc.xyz/intervista-museum-in-progress/https://cplusc.xyz/wp-content/uploads/2026/02/el-anatsui-xohanami-safety-curtain.jpgEl Anatsui - Xohanami - Safety CurtainEl Anatsui, XOHANAMI, 2025, Safety Curtain, museum in progress, Vienna State Opera, 2025/2026, large-scale picture. Copyright museum in progresshttps://cplusc.xyz/wp-content/uploads/2026/02/alois-herrmann-kaspar-muhlemann-hartl-mip.jpgAlois Herrmann - Kaspar Mühlemann Hartl - mipAlois Herrmann and Kaspar Mühlemann Hartl, museum in progress. Photo by Arman Rastegar. Copyright museum in progresshttps://cplusc.xyz/wp-content/uploads/2026/02/robert-tissot-christian-moving-practice.jpgRobert-Tissot Christian - moving practiceChristian Robert-Tissot, 2023, moving practice, museum in progress, Vienna Central Station, large-scale picture. Photo: Claudia Posekany. Copyright museum in progresshttps://cplusc.xyz/wp-content/uploads/2026/02/portraits-of-artists-screenshots.jpgPortraits of Artists - ScreenshotsPortraits of Artists, 1992–2001, museum in progress, video conversations, screenshots. Copyright museum in progresshttps://cplusc.xyz/wp-content/uploads/2026/02/hatoum-mona-over-my-dead-body-newspaper-intervention.jpgHatoum Mona - OVER MY DEAD BODY - newspaper interventionMona Hatoum, Over my dead body, 1998, Interventions in progress, museum in progress, Der Standard, 21-01-1998, pp. 24, 25, newspaper multiple. Copyright museum in progresshttps://cplusc.xyz/wp-content/uploads/2026/02/trockel-rosemarie-beauty-1995.jpgTrockel Rosemarie - Beauty - 1995Rosemarie Trockel, Beauty, 1995, Billboard, museum in progress, billboards, Vienna. Copyright museum in progresshttps://cplusc.xyz/wp-content/uploads/2026/02/amer-ghada-no-empire-lasts-forever-raising-flags.jpgAmer Ghada - NO EMPIRE LASTS FOREVER - raising flagsGhada Amer, No empire lasts forever, 2025, raising flags, museum in progress, Stubenbrücke, flag. Copyright museum in progresshttps://cplusc.xyz/wp-content/uploads/2026/02/hazoume-romuald-making-chapters.jpgHazoumè Romuald - Making ChaptersRomuald Hazoumè, Chênnai, 2024/25, Autlan de Navarro, 2024/25, Making Chapters, museum in progress, Chapter XIII, pp. 122, 123, magazine multiple. Photo: Rudolf Strobl. Copyright museum in progresshttps://cplusc.xyz/wp-content/uploads/2026/02/kogler-peter-untitled-globe-2023.jpgKogler Peter - Untitled (globe) - 2023 Peter Kogler, Untitled (globe), 2023, digital mip, raising flags, museum in progress, video loop, screenshot. Copyright museum in progress2026-02-19T12:39:36+00:00weekly0.6https://cplusc.xyz/2026/02/19/interview-museum-in-progress/2026-02-19T12:38:31+00:00monthlyhttps://cplusc.xyz/intervista-giacomo-segantin/https://cplusc.xyz/wp-content/uploads/2026/02/6.jpg6Foraggiamento urbano, Padua. Photo Elisa Braccinihttps://cplusc.xyz/wp-content/uploads/2026/02/3.jpg3Estrazione del colore (Indesiderate project). Photo Elisa Braccinihttps://cplusc.xyz/wp-content/uploads/2026/02/5.jpg5.Foraggiamento urbano, Giacomo Segantinhttps://cplusc.xyz/wp-content/uploads/2026/02/2.jpg2.Appunti per un film sull'oblio, inkjet printing on photographic paper, 30 x 40 cmhttps://cplusc.xyz/wp-content/uploads/2026/02/7-1.jpg7 (1)Giacomo Segantinhttps://cplusc.xyz/wp-content/uploads/2026/02/4.jpg4.Foraggiamento urbano, Padua, Photo Elisa Braccinihttps://cplusc.xyz/wp-content/uploads/2026/02/9.jpg9Margine rosso, Giacomo Segantin, Exhibition view, Cortile Nuovo di Palazzo del Bo, Padua. Photo Edoardo Bonacina, 2025https://cplusc.xyz/wp-content/uploads/2026/02/10.jpg10Margine rosso, Giacomo Segantin, environmental light installation, Cortile Nuovo di Palazzo del Bo, Padua. Photo Edoardo Bonacina, 2025https://cplusc.xyz/wp-content/uploads/2026/02/11.jpgoplus_32Production of lighting filters (Indesiderate project)https://cplusc.xyz/wp-content/uploads/2026/02/8.jpg8Margine Rosso, Giacomo Segantin, Exhibition view. Cortile Nuovo di Palazzo del Bo, Padua. Photo Edoardo Bonacina, 20252026-02-11T21:30:40+00:00weekly0.6https://cplusc.xyz/2026/02/12/interview-giacomo-segantin/2026-02-11T21:28:51+00:00monthlyhttps://cplusc.xyz/intervista-rafael-rozendaal/https://cplusc.xyz/wp-content/uploads/2026/02/12.-2024-rafaelrozendaal-by-naeem-douglas.jpg12. 2024-rafaelrozendaal-by-naeem-douglasRafaël Rozendaal, 2024. Photo by Naeem Douglashttps://cplusc.xyz/wp-content/uploads/2026/02/2.-2015-kostyal-stockholm-photo-by-karl-henrik.jpgartist Rafaël RozendaalRafaël Rozendaal, On And On, Carl Kostyál, Isbrytaren, Stockholm, 2015, exhibition view. Photo by Karl Henrikhttps://cplusc.xyz/wp-content/uploads/2026/02/3.-2015-times-square-01-photo-by-michael-wells.jpg3. 2015-times-square-01-photo-by-michael-wellsRafaël Rozendaal, Times Square Midnight Moment, New York, 2015, installation view. Photo by Michael Wellshttps://cplusc.xyz/wp-content/uploads/2026/02/11.-2024-moma-01-photo-by-jonathan-dorado.jpgARCH.13453Rafaël Rozendaal, Light, Museum of Modern Art, New York, 2024, installation view. Photo by Jonathan Doradohttps://cplusc.xyz/wp-content/uploads/2026/02/6.-2019-centraal-museum-utrecht-01-photo-by-gertjan-vanrooij.jpg6. 2019-centraal-museum-utrecht-01-photo-by-gertjan-vanrooijRafaël Rozendaal, Double Pressure, Centraal Museum, Utrecht, 2019, installation view. Photo by Gertjan Vanrooijhttps://cplusc.xyz/wp-content/uploads/2026/02/10.-2023-museum-folkwang-05-photo-by-gertjan-vanrooij.jpg10. 2023-museum-folkwang-05-photo-by-gertjan-vanrooijRafaël Rozendaal, Color, Code, Communication, Museum Folkwang, Essen, 2023, exhibition view. Photo by Gertjan Vanrooijhttps://cplusc.xyz/wp-content/uploads/2026/02/4.-2016-abstract-browsing-steveturner-photo-by-don-lewis.jpg4. 2016-abstract-browsing-steveturner-photo-by-don-lewis Rafaël Rozendaal, Abstract Browsing, Steve Turner, Los Angeles, 2016, exhibition view. Photo by Don Lewishttps://cplusc.xyz/wp-content/uploads/2026/02/1.-2015-haiku-steveturner-photo-by-don-lewis.jpg1. 2015-haiku-steveturner-photo-by-don-lewisRafaël Rozendaal, Haiku, Postmasters, New York, 2015, exhibition view. Photo by Don Lewishttps://cplusc.xyz/wp-content/uploads/2026/02/5.-2018-steveturner-portraits-01-photo-by-don-lewis.jpg5. 2018-steveturner-portraits-01-photo-by-don-lewis Rafaël Rozendaal, Portraits, Steve Turner, Los Angeles, 2018, exhibition view. Photo by Don Lewishttps://cplusc.xyz/wp-content/uploads/2026/02/8.-2021-sheffield-site-03-photo-by-jules-lister.jpg8. 2021-sheffield-site-03-photo-by-jules-listerRafaël Rozendaal, Permanent Distraction, Site Gallery, Sheffield (UK), 2021, exhibition view. Photo by Jules Lister2026-02-05T09:34:21+00:00weekly0.6https://cplusc.xyz/2026/02/05/interview-rafael-rozendaal/2026-02-05T09:33:25+00:00monthlyhttps://cplusc.xyz/about-2/2026-01-29T10:04:14+00:00weekly0.6https://cplusc.xyz/about/2026-01-29T10:02:41+00:00weekly0.6https://cplusc.xyz/oltre-il-white-cube/2026-01-28T18:01:23+00:00weekly0.6https://cplusc.xyz/2026/01/29/beyond-the-white-cube/https://cplusc.xyz/wp-content/uploads/2026/01/photo-credit-school-for-curatorial-studies-venice.jpgPhoto credit School for Curatorial Studies Venice2026-01-28T17:58:07+00:00monthlyhttps://cplusc.xyz/recensione-progetto-osservatorio-santanna/2025-12-30T21:07:56+00:00weekly0.6https://cplusc.xyz/2025/12/31/review-project-osservatorio-santanna/https://cplusc.xyz/wp-content/uploads/2025/12/the-cloister-of-the-former-infirmary.-photo-lorenzo-syloes.jpgThe cloister of the former infirmary. Photo Lorenzo SyloesThe cloister of the former infirmary. Photo Lorenzo Syloeshttps://cplusc.xyz/wp-content/uploads/2025/12/santanna-church.-photo-giacomo-bianco.jpgSant'Anna Church. Photo Giacomo BiancoSant'Anna Church. Photo Giacomo Biancohttps://cplusc.xyz/wp-content/uploads/2025/12/the-former-infirmary.-photo-giacomo-bianco.jpgThe former infirmary. Photo Giacomo BiancoThe former infirmary. Photo Giacomo Biancohttps://cplusc.xyz/wp-content/uploads/2025/12/introduction-of-osservatorio-santanna-to-residents-and-first-collective-imagination-guided-by-lemonot.-photo-osa.jpgIntroduction of Osservatorio Sant'Anna to residents and first collective imagination guided by Lemonot. Photo OSAIntroduction of Osservatorio Sant'Anna to residents and first collective imagination guided by Lemonot. Photo OSAhttps://cplusc.xyz/wp-content/uploads/2025/12/inside-the-former-infirmary.-photo-osa.jpgInside the former infirmary. Photo OSAInside the former infirmary. Photo OSAhttps://cplusc.xyz/wp-content/uploads/2025/12/laboratori-di-autocostruzione.-photo-osa.jpgLaboratori di autocostruzione. Photo OSALaboratori di autocostruzione. Photo OSAhttps://cplusc.xyz/wp-content/uploads/2025/12/laguna-nel-pozzo-14-september-2025.-photo-irene-fanizza-3.jpgLaguna nel pozzo, 14 September 2025. Photo Irene Fanizza (3)Laguna nel pozzo, september 14, 2025. Photo Irene Fanizzahttps://cplusc.xyz/wp-content/uploads/2025/12/feast-of-santanna-26-july-2025.-photo-osa.jpgFeast of Sant'Anna, 26 July 2025. Photo OSAFeast of Sant'Anna, 26 July 2025. Photo OSAhttps://cplusc.xyz/wp-content/uploads/2025/12/laguna-nel-pozzo-14-september-2025.-photo-irene-fanizza-5.jpgLaguna nel pozzo, 14 September 2025. Photo Irene Fanizza (5)Laguna nel pozzo, september 14, 2025. Photo Irene Fanizzahttps://cplusc.xyz/wp-content/uploads/2025/12/laguna-nel-pozzo-14-september-2025.-photo-irene-fanizza-4.jpgLaguna nel pozzo, 14 September 2025. Photo Irene Fanizza (4)Laguna nel pozzo, september 14, 2025. Photo Irene Fanizza2025-12-30T21:06:05+00:00monthlyhttps://cplusc.xyz/intervista-con-filipa-ramos/https://cplusc.xyz/wp-content/uploads/2025/12/05.jpg05Carlos Casas, 1883/Krakatoa, 2021, sound installation, dimensions variable; continuous loop (approx 40 min cycles), commissioned by the 13th Shanghai Biennale/Power Station of Art, installation view at the 13th Shanghai Biennale PHASE 03: AN EXHIBITION, 2021. Courtesy Power Station of Art, photo by Chen Haohttps://cplusc.xyz/wp-content/uploads/2025/12/16-1.jpg16 (1)Dai Chenlian, Waxing and Waning of the Augustness 3, 2020-2021, painting, installation, 365 × 435 cm each, installation view at the 13th Shanghai Biennale PHASE 03: AN EXHIBITION, 2021. Courtesy Power Station of Art, photo by Chen Haohttps://cplusc.xyz/wp-content/uploads/2025/12/07.jpg07Cecilia Vicuña, Quipu Menstrual (Shanghai), 2006/2021, mixed media installation with unspun wool and videom dimensions variable, 04:12 minutes, courtesy of Lehmann Maupin and the artist, installation view at the 13th Shanghai Biennale PHASE 03: AN EXHIBITION, 2021. Courtesy Power Station of Art, photo by Chen Haohttps://cplusc.xyz/wp-content/uploads/2025/12/01-1.jpg01 (1)Torkwase Dyson’s artworks, installation view at the 13th Shanghai Biennale PHASE 03: AN EXHIBITION, 2021. Courtesy Power Station of Art, photo by Chen Haohttps://cplusc.xyz/wp-content/uploads/2025/12/filipa-ramos-photo-by-rob-harris.jpgFilipa Ramos, photo by Rob HarrisFilipa Ramos, photo by Rob Harrishttps://cplusc.xyz/wp-content/uploads/2025/12/7.jpg7The Shape of a Circle in the Mind of a Fish. Edited by Lucia Pietroiusti and Filipa Ramos. Hatje Cantz + Serpentine2025-12-30T20:07:17+00:00weekly0.6https://cplusc.xyz/2025/12/31/interview-with-filipa-ramos/2025-12-30T20:06:29+00:00monthlyhttps://cplusc.xyz/recensioni/https://cplusc.xyz/wp-content/uploads/2025/07/cplusc_instagram_page-0001-1.jpgcplusc_instagram_page-0001https://cplusc.xyz/wp-content/uploads/2025/07/photo-2025-07-10-14-15-34.jpgPHOTO-2025-07-10-14-15-34https://cplusc.xyz/wp-content/uploads/2025/07/cplusc_instagram_page-0007.jpgcplusc_instagram_page-0007https://cplusc.xyz/wp-content/uploads/2025/07/cplusc_instagram_page-0003.jpgcplusc_instagram_page-0003https://cplusc.xyz/wp-content/uploads/2025/07/cplusc_instagram_page-0005.jpgcplusc_instagram_page-0005https://cplusc.xyz/wp-content/uploads/2025/07/cplusc_instagram_page-0001-2-copy.jpgcplusc_instagram_page-0001-2 copyhttps://cplusc.xyz/wp-content/uploads/2025/07/12-1.jpg12https://cplusc.xyz/wp-content/uploads/2025/07/11-2.jpg11https://cplusc.xyz/wp-content/uploads/2025/07/10-2.jpg10https://cplusc.xyz/wp-content/uploads/2025/07/5-2.jpg52025-12-12T16:50:33+00:00weekly0.6https://cplusc.xyz/interviste/https://cplusc.xyz/wp-content/uploads/2025/12/cplusc_instagram87.jpgcplusc_instagram87https://cplusc.xyz/wp-content/uploads/2025/12/2ddc46cd-97f2-4705-950a-c004b827b53e.jpg2ddc46cd-97f2-4705-950a-c004b827b53ehttps://cplusc.xyz/wp-content/uploads/2025/12/giorgio-andreotta-calo.jpggiorgio andreotta calòhttps://cplusc.xyz/wp-content/uploads/2025/12/esther-gamsu.jpgesther gamsuhttps://cplusc.xyz/wp-content/uploads/2025/12/balbi.jpgbalbihttps://cplusc.xyz/wp-content/uploads/2025/12/cplusc_instagram_page-0001-1.jpgcplusc_instagram_page-0001https://cplusc.xyz/wp-content/uploads/2025/12/cplusc_instagram3.jpgcplusc_instagram3https://cplusc.xyz/wp-content/uploads/2025/12/cplusc_instagram-immagini-12.jpgcplusc_instagram-immagini-12https://cplusc.xyz/wp-content/uploads/2025/12/cplusc_instagram39.jpgcplusc_instagram39https://cplusc.xyz/wp-content/uploads/2025/12/cplusc_instagram15.jpgcplusc_instagram152025-12-12T16:41:21+00:00weekly0.6https://cplusc.xyz/recensione-ordet-jack-obrien/2025-12-05T14:33:56+00:00weekly0.6https://cplusc.xyz/2025/11/27/review-ordet-jack-obrien/https://cplusc.xyz/wp-content/uploads/2025/11/ordet-jack-obrien-16.jpgOrdet Jack O'Brien 16Jack O’Brien, A Formality, installation view, Ordet, 2025. Courtesy of the artist and Ordet. Photo: Nicola Gnesihttps://cplusc.xyz/wp-content/uploads/2025/11/ordet-jack-obrien-17.jpgOrdet Jack O'Brien 17Jack O’Brien, A Formality, installation view, Ordet, 2025. Courtesy of the artist and Ordet. Photo: Nicola Gnesihttps://cplusc.xyz/wp-content/uploads/2025/11/ordet-jack-obrien-13.jpgOrdet Jack O'Brien 13Jack O’Brien, A Formality, installation view, Ordet, 2025. Courtesy of the artist and Ordet. Photo: Nicola Gnesihttps://cplusc.xyz/wp-content/uploads/2025/11/ordet-jack-obrien-18.jpgOrdet Jack O'Brien 18Jack O’Brien, A Formality, installation view, Ordet, 2025. Courtesy of the artist and Ordet. Photo: Nicola Gnesihttps://cplusc.xyz/wp-content/uploads/2025/11/ordet-jack-obrien-14.jpgOrdet Jack O'Brien 14Jack O’Brien, A Formality, installation view, Ordet, 2025. Courtesy of the artist and Ordet. Photo: Nicola Gnesihttps://cplusc.xyz/wp-content/uploads/2025/11/ordet-jack-obrien-15.jpgOrdet Jack O'Brien 15Jack O’Brien, A Formality, installation view, Ordet, 2025. Courtesy of the artist and Ordet. Photo: Nicola Gnesihttps://cplusc.xyz/wp-content/uploads/2025/11/ordet-jack-obrien-05.jpgOrdet Jack O'Brien 05Jack O’Brien, A Formality, installation view, Ordet, 2025. Courtesy of the artist and Ordet. Photo: Nicola Gnesihttps://cplusc.xyz/wp-content/uploads/2025/11/ordet-jack-obrien-11.jpgOrdet Jack O'Brien 11Jack O’Brien, A Formality, installation view, Ordet, 2025. Courtesy of the artist and Ordet. Photo: Nicola Gnesihttps://cplusc.xyz/wp-content/uploads/2025/11/ordet-jack-obrien-06.jpgOrdet Jack O'Brien 06Jack O’Brien, A Formality, installation view, Ordet, 2025. Courtesy of the artist and Ordet. Photo: Nicola Gnesihttps://cplusc.xyz/wp-content/uploads/2025/11/ordet-jack-obrien-12.jpgOrdet Jack O'Brien 12Jack O’Brien, A Formality, installation view, Ordet, 2025. Courtesy of the artist and Ordet. Photo: Nicola Gnesi2025-12-05T14:33:26+00:00monthlyhttps://cplusc.xyz/recensione-contested-waters-s-a-l-e-docks/https://cplusc.xyz/wp-content/uploads/2025/11/chen-chen-yu-no-body-makes-its-own-bodies-2025-installation-view.jpgChen Chen YU, No body makes its own bodies (2025), Installation viewChen Chen YU, No body makes its own bodies (2025), installation view, S.a.L.E. Docks, Venice 2025. Photo by Rebecca Canavesihttps://cplusc.xyz/wp-content/uploads/2025/11/chen-chen-yu-no-body-makes-its-own-bodies-2024-installation-view.jpgChen Chen YU, No body makes its own bodies (2024), Installation viewChen Chen YU, No body makes its own bodies (2025), installation view, S.a.L.E. Docks, Venice 2025. Photo by Rebecca Canavesihttps://cplusc.xyz/wp-content/uploads/2025/11/jui-lan-yao-the-replicate-blue.eu-2023-2025-installation-view.jpgJui-Lan YAO, The Replicate Blue.eu (2023-2025), Installation viewJui-Lan YAO, The Replicate Blue.eu (2023–2025), installation view, S.a.L.E. Docks, Venice 2025. Photo by Rebecca Canavesihttps://cplusc.xyz/wp-content/uploads/2025/11/ranjit-kandalgaonkar-shipbreaking_dossier-2009-2025-installation-view.jpgRanjit Kandalgaonkar, [shipbreaking_dossier] (2009-2025), Installation viewRanjit Kandalgaonkar, [shipbreak_dossier] (2009–2025), installation view, S.a.L.E. Docks, Venice 2025. Photo by Rebecca Canavesihttps://cplusc.xyz/wp-content/uploads/2025/11/contested-waters-exhibition-view.jpgContested Waters, Exhibition viewContested Waters, exhibition view, S.a.L.E. Docks, Venice 2025. Photo by Rebecca Canavesihttps://cplusc.xyz/wp-content/uploads/2025/11/contested-waters-exhibition-view-1.jpgContested Waters, Exhibition viewContested Waters, exhibition view, S.a.L.E. Docks, Venice 2025. Photo by Rebecca Canavesihttps://cplusc.xyz/wp-content/uploads/2025/11/tzuan-wu-the-sirens-2022-2025-installation-view-2.jpgTzuan Wu, The Sirens (2022-2025), Installation view (2)Tzuan Wu, The Sirens (2022–2025), installation view, S.a.L.E. Docks, Venice 2025. Photo by Rebecca Canavesihttps://cplusc.xyz/wp-content/uploads/2025/11/tzuan-wu-the-sirens-2022-2025-installation-view.jpgTzuan Wu, The Sirens (2022-2025), Installation viewTzuan Wu, The Sirens (2022–2025), installation view, S.a.L.E. Docks, Venice 2025. Photo by Rebecca Canavesihttps://cplusc.xyz/wp-content/uploads/2025/11/tzuan-wu-the-sirens-2022-2025-installation-view-3.jpgTzuan Wu, The Sirens (2022-2025), Installation view (3)Tzuan Wu, The Sirens (2022–2025), installation view, S.a.L.E. Docks, Venice 2025. Photo by Rebecca Canavesi2025-11-20T13:19:41+00:00weekly0.6https://cplusc.xyz/2025/11/20/review-contested-waters-s-a-l-e-docks/2025-11-20T13:18:56+00:00monthlyhttps://cplusc.xyz/intervista-giorgio-andreotta-calo/https://cplusc.xyz/wp-content/uploads/2025/11/5-1.jpg5Scultura lingua morta, exhibition view, Ca’ Pesaro – Galleria Internazionale d’Arte Moderna, Venezia, 2024–2025. Photo by Kirsten Suzanna de Graafhttps://cplusc.xyz/wp-content/uploads/2025/11/4-1.jpg4Scultura lingua morta, exhibition view, Ca’ Pesaro – Galleria Internazionale d’Arte Moderna, Venezia, 2024–2025. Photo by Kirsten Suzanna de Graafhttps://cplusc.xyz/wp-content/uploads/2025/11/6-1.jpg6Giorgio Andreotta Calò, chapter sixteen of Passaggi, Litografia Bulla, Roma. Photo by Luis Do Rosariohttps://cplusc.xyz/wp-content/uploads/2025/11/1.jpg1Giorgio Andreotta Calò. Photo by Studio Giorgio Andreotta Calòhttps://cplusc.xyz/wp-content/uploads/2025/11/9.jpg9Senza titolo (La fine del mondo), Pinna Nobilis, 2017, lower level, Italian Pavilion, 57th International Art Exhibition, La Biennale di Venezia. Photo by Kirsten Suzanna de Graafhttps://cplusc.xyz/wp-content/uploads/2025/11/7.jpg7CITTÀDIMILANO, set-up, Pirelli HangarBicocca, Milano, 2019. Photo by Giorgio Andreotta Calòhttps://cplusc.xyz/wp-content/uploads/2025/11/8.jpg8CITTÀDIMILANO, set-up, Pirelli HangarBicocca, Milano, 2019. Photo by Giorgio Andreotta Calòhttps://cplusc.xyz/wp-content/uploads/2025/11/2.jpg2Produttivo, set-up, Pirelli HangarBicocca, Milano, 27 January 2019. Photo by Giorgio Andreotta Calòhttps://cplusc.xyz/wp-content/uploads/2025/11/3.jpg3Ritorno, 2011, ILLUMInazioni, 54th International Art Exhibition, La Biennale di Venezia. Photo by Christopher Schroeer-Heiermann2025-11-19T18:15:54+00:00weekly0.6https://cplusc.xyz/2025/11/20/interview-giorgio-andreotta-calo/2025-11-19T18:12:43+00:00monthlyhttps://cplusc.xyz/intervista-annalisa-rosso/https://cplusc.xyz/wp-content/uploads/2025/11/07_shadows-and-poetry-by-eliurpi_oh-nacho-umpierrez-fripp_mdw2024.jpg07_Shadows and Poetry by ELIURPI_oh Nacho Umpiérrez Fripp_MDW2024https://cplusc.xyz/wp-content/uploads/2025/11/04_salone-del-mobile_ph-salone-del-mobile.milano.jpg04_Salone del Mobile_ph Salone del Mobile.MilanoSalone del Mobile.Milano. Photo by Salone del Mobile.Milanohttps://cplusc.xyz/wp-content/uploads/2025/11/03_sguardi-d_autore_salone-del-mobile.milano_ph-delfino-sisto-legnani.jpg03_Sguardi d_autore_Salone del Mobile.Milano_ph Delfino Sisto LegnaniSalone del Mobile.Milano. Photo by Delfino Sisto Legnanihttps://cplusc.xyz/wp-content/uploads/2025/11/09_drafting-futures_ph-giulia-copercini_salone-del-mobile-2025.jpg09_Drafting Futures_ph Giulia Copercini_Salone del Mobile 2025Salone del Mobile cultural program “Drafting Futures. Conversations about Next Perspectives” with Oscar-winning filmmaker Paolo Sorrentino and Antonio Monda. Photo by Giulia Copercinihttps://cplusc.xyz/wp-content/uploads/2025/11/02._mr.lawrence_ph-alessandro-dipierro.jpg02._Mr.Lawrence_ph Alessandro DipierroAnnalisa Rosso and Francesco Mainardi. Photo by Alessandro Dipierrohttps://cplusc.xyz/wp-content/uploads/2025/11/06_library-of-light_es-devlin_ph-monica-spezia_salone-del-mobile-2025.jpg06_Library of Light_Es Devlin_ph Monica Spezia_Salone del Mobile 2025Library of Light by Es Devlin at Pinacoteca di Brera for Salone del Mobile.Milano. Photo by Monica Speziahttps://cplusc.xyz/wp-content/uploads/2025/11/01_ar_ph-maria-vittoria-backhaus.jpg01_AR_ph Maria Vittoria BackhausAnnalisa Rosso. Photo by Maria Vittoria Backhaushttps://cplusc.xyz/wp-content/uploads/2025/11/05_the-orbit_s-orbit_performancec2a9xelevation-by-matilde-cassani.jpg05_The Orbit_s Orbit_Performance©XELEVATION by Matilde CassaniThe Orbit’s Orbit by Matilde Cassani at Westbund Art & Designhttps://cplusc.xyz/wp-content/uploads/2025/11/08_incalmi_by-valentina-camenranesi_ph-ellerstudio_edit-napoli-2025.jpg08_Incalmi_by Valentina Camenranesi_ph EllerStudio_EDIT Napoli 2025Valentina Cameranesi Sgroi for Incalmi. Photo by Eller Studio2025-11-14T06:39:46+00:00weekly0.6https://cplusc.xyz/2025/11/13/interview-design-specialist-annalisa-rosso/2025-11-14T06:39:21+00:00monthlyhttps://cplusc.xyz/fata-morgana-recensione-milano/https://cplusc.xyz/wp-content/uploads/2025/11/07_diego-marcon_hq26-dm18786v_diego_marcon_la_gola__2023_still_2_high_quality-1.jpegDiego Marcon La Gola, 2024 [Still], digital video transferred from 35mm film. CGI animation, color, sound. Duration: 22 min 22 sec © Diego Marcon. Courtesy the Artist; Sadie Coles HQ, London; Galerie Buchholz, Berlin/Cologne/New York; Kunstverein Hamburg; Kunsthalle Wien; and Centre d’Art Contemporain Genève for BIM ’24Diego Marcon La Gola, 2024 [Still], digital video transferred from 35mm film. CGI animation, color, sound. Duration: 22 min 22 sec © Diego Marcon. Courtesy the Artist; Sadie Coles HQ, London; Galerie Buchholz, Berlin/Cologne/New York; Kunstverein Hamburg; Kunsthalle Wien; and Centre d’Art Contemporain Genève for BIM ’24https://cplusc.xyz/wp-content/uploads/2025/11/11_pierre-klossowski_20220222_photos-vincent-everarts-023-1.jpegPierre Klossowski, Le Jeune Ogier dans les bras du Frère Lahire II, 1972. Pencil and crayon on paper, 110 x 75 cm. Collezione Bilinelli, MilanoPierre Klossowski, Le Jeune Ogier dans les bras du Frère Lahire II, 1972. Pencil and crayon on paper, 110 x 75 cm. Collezione Bilinelli, Milanohttps://cplusc.xyz/wp-content/uploads/2025/11/11_pierre-klossowski_20220222_photos-vincent-everarts-023.jpeg11_Pierre Klossowski_20220222_Photos-Vincent-Everarts-023Fata Morgana: memorie dall'invisibile [Fata Morgana: Memories of the Invisible], 2025. Installation view of the exhibition conceived and produced by Fondazione Nicola Trussardi for Palazzo Morando | Costume Moda Immagine, curated by Massimiliano Gioni, Daniel Birnbaum, and Marta Papini. Courtesy of Fondazione Nicola Trussardi. Photo by Marco De Scalzihttps://cplusc.xyz/wp-content/uploads/2025/11/dscf6346.jpgDSCF6346Fata Morgana: memorie dall'invisibile [Fata Morgana: Memories of the Invisible], 2025. Installation view of the exhibition conceived and produced by Fondazione Nicola Trussardi for Palazzo Morando | Costume Moda Immagine, curated by Massimiliano Gioni, Daniel Birnbaum, and Marta Papini. Courtesy of Fondazione Nicola Trussardi. Photo by Marco De Scalzihttps://cplusc.xyz/wp-content/uploads/2025/11/dscf6368.jpgDSCF6368Fata Morgana: memorie dall'invisibile [Fata Morgana: Memories of the Invisible], 2025. Installation view of the exhibition conceived and produced by Fondazione Nicola Trussardi for Palazzo Morando | Costume Moda Immagine, curated by Massimiliano Gioni, Daniel Birnbaum, and Marta Papini. Courtesy of Fondazione Nicola Trussardi. Photo by Marco De Scalzihttps://cplusc.xyz/wp-content/uploads/2025/11/dscf6358.jpgDSCF6358Fata Morgana: memorie dall'invisibile [Fata Morgana: Memories of the Invisible], 2025. Installation view of the exhibition conceived and produced by Fondazione Nicola Trussardi for Palazzo Morando | Costume Moda Immagine, curated by Massimiliano Gioni, Daniel Birnbaum, and Marta Papini. Courtesy of Fondazione Nicola Trussardi. Photo by Marco De Scalzihttps://cplusc.xyz/wp-content/uploads/2025/11/dscf6230.jpgDSCF6230Fata Morgana: memorie dall'invisibile [Fata Morgana: Memories of the Invisible], 2025. Installation view of the exhibition conceived and produced by Fondazione Nicola Trussardi for Palazzo Morando | Costume Moda Immagine, curated by Massimiliano Gioni, Daniel Birnbaum, and Marta Papini. Courtesy of Fondazione Nicola Trussardi. Photo by Marco De Scalzihttps://cplusc.xyz/wp-content/uploads/2025/11/dscf6250.jpgDSCF6250Fata Morgana: memorie dall'invisibile [Fata Morgana: Memories of the Invisible], 2025. Installation view of the exhibition conceived and produced by Fondazione Nicola Trussardi for Palazzo Morando | Costume Moda Immagine, curated by Massimiliano Gioni, Daniel Birnbaum, and Marta Papini. Courtesy of Fondazione Nicola Trussardi. Photo by Marco De Scalzihttps://cplusc.xyz/wp-content/uploads/2025/11/07_diego-marcon_hq26-dm18786v_diego_marcon_la_gola__2023_still_2_high_quality.jpeg07_Diego Marcon_HQ26-DM18786V_Diego_Marcon_La_Gola__2023_Still_2_high_qualityFata Morgana: memorie dall'invisibile [Fata Morgana: Memories of the Invisible], 2025. Installation view of the exhibition conceived and produced by Fondazione Nicola Trussardi for Palazzo Morando | Costume Moda Immagine, curated by Massimiliano Gioni, Daniel Birnbaum, and Marta Papini. Courtesy of Fondazione Nicola Trussardi. Photo by Marco De Scalzi2025-11-13T07:23:20+00:00weekly0.6https://cplusc.xyz/2025/11/13/fata-morgana-ehibition-review-milan/https://cplusc.xyz/wp-content/uploads/2025/11/08_milly-canavero_mc-02.jpgMilly Canavero, Untitled, 1985. Exhibition copy. Marker pen on paper, 46.5 x 65 cm. Elmar R. Gruber Collection of Mediumistic ArtMilly Canavero, Untitled, 1985. Exhibition copy. Marker pen on paper, 46.5 x 65 cm. Elmar R. Gruber Collection of Mediumistic Arthttps://cplusc.xyz/wp-content/uploads/2025/11/05_chiara_fumai_the_book_of_evil_spirits.jpgChiara Fumai, The Book of Evil Spirits, 2015. Single channel video, color, sound. Duration: 26 min 24 sec, video still. Courtesy Archivio Chiara FumaiChiara Fumai, The Book of Evil Spirits, 2015. Single channel video, color, sound. Duration: 26 min 24 sec, video still. Courtesy Archivio Chiara Fumaihttps://cplusc.xyz/wp-content/uploads/2025/11/01_hilma-af-klint_hak017.jpgHilma af Klint, Primordial Chaos, The WU/Rose Series, Group 1, 1906-1907. Oil on canvas, 53 x 37 cm. HaK017. By courtesy of the Hilma af Klint Foundation. Photo: The Moderna Museet, Stockholm, SwedenHilma af Klint, Primordial Chaos, The WU/Rose Series, Group 1, 1906-1907. Oil on canvas, 53 x 37 cm. HaK017. By courtesy of the Hilma af Klint Foundation. Photo: The Moderna Museet, Stockholm, Sweden2025-11-13T07:22:03+00:00monthlyhttps://cplusc.xyz/recensione-mostra-smac-venezia/https://cplusc.xyz/wp-content/uploads/2025/11/2.-to-the-old-world-5-copia.jpg2. To-the-Old-World-5-copiaMark Leckey, To the old world (thank you for the use of your body), 2021–22. Courtesy of the artist and Cabinet Londonhttps://cplusc.xyz/wp-content/uploads/2025/11/6.jpg6.The Quantum Effect, installation view, SMAC San Marco Art Centre, Venice, 2025. Photo Enrico Fioresehttps://cplusc.xyz/wp-content/uploads/2025/11/4.jpg4.The Quantum Effect, installation view with curators Daniel Birnbaum and Jacqui Davies next to Tomás Saraceno’s Hybrid semi-social musical instrument NGC 2976: built by Cyrtophora citricola – three weeks (tidally locked) + Cyrtophora moluccensis – four weeks (turned 180 degrees on z axis rehearsing towards ISS), 2014, SMAC San Marco Art Centre, Venice, 2025. Photo Enrico Fioresehttps://cplusc.xyz/wp-content/uploads/2025/11/1.-jacqui-davies-time-forks-perpetually-towards-innumerable-futures.-in-one-of-them-i-am-your-enemy.-2025.-film-still.jpg1. Jacqui-Davies-Time-Forks-Perpetually-Towards-Innumerable-Futures.-In-One-Of-Them-I-Am-Your-Enemy.-2025.-Film-Still.Jacqui Davies, Time forks perpetually towards innumerable futures. In one of them I am your enemy, 2025. Video stillhttps://cplusc.xyz/wp-content/uploads/2025/11/3.-birnbaum-technology-transformation_grab002-copia.jpg3. Birnbaum-Technology-Transformation_GRAB002-copiaDara Birnbaum, Technology/Transformation: Wonder Woman, 1978–79. Colour, stereo, 6 minutes. Courtesy of Dara Birnbaum and LUX, Londonhttps://cplusc.xyz/wp-content/uploads/2025/11/5.jpg5.The Quantum Effect, installation view with curators Daniel Birnbaum and Jacqui Davies in front of Sturtevant’s Duchamp descendant l’escalier, 1992, SMAC San Marco Art Centre, Venice, 2025. Photo Enrico Fiorese2025-11-06T11:10:51+00:00weekly0.6https://cplusc.xyz/2025/11/06/exhibition-review-smac-venice/2025-11-06T11:10:14+00:00monthlyhttps://cplusc.xyz/intervista-charlotte-laubard/2025-11-06T11:07:15+00:00weekly0.6https://cplusc.xyz/2025/11/06/interview-charlotte-laubard/https://cplusc.xyz/wp-content/uploads/2025/11/8_portrait_charlotte-laubard-1.jpgMOVING BACKWARDS, KUENSTLER, KUENSTLERPAAR, INSTALLATION, SCHWEIZER PAVILLON, LA BIENNALE DI VENEZIA, 58. INTERNATIONALE KUNSTAUSSTELLUNG - LA BIENNALE DI VENEZIA, KUNSTBIENNALE, KUNSTAUSSTELLUNG, KUNSTBIENNALE 2019, BIENNALE VENEDIG,Charlotte Laubard. Photo Keystone / Gaetan Ballyhttps://cplusc.xyz/wp-content/uploads/2025/11/4_nouveaux-commanditaires_chapuisat_2021_c2a9michel-giesbrecht_04-1.jpg4_Nouveaux-commanditaires_Chapuisat_2021_©Michel-Giesbrecht_04 (1)Nouveaux commanditaires, work by the Frères Chapuisat, commission mediated by Charlotte Laubard, Nyon, Switzerland, 2021. Photo Michel Giesbrechthttps://cplusc.xyz/wp-content/uploads/2025/11/2_exhibition_the_self-taught_enigma_2021-1.jpg2_Exhibition_The_Self-taught_Enigma_2021 (1)The Self-taught Enigma, curated by Charlotte Laubard, exhibition view, MAMC+, Saint-Étienne, France, 2021https://cplusc.xyz/wp-content/uploads/2025/11/1_catalog_the_self-taught_enigma_2021-1.jpg1_Catalog_The_Self-taught_Enigma_2021 (1)The Self-taught Enigma, catalog of the exhibition curated by Charlotte Laubard, MAMC+, Saint-Étienne, France, 2021https://cplusc.xyz/wp-content/uploads/2025/11/6_nx_commanditaires_bolivia-9_invernomuto_2024_2-1.jpg6_Nx_Commanditaires_Bolivia-9_Invernomuto_2024_2 (1)Nouveaux commanditaires (New Patrons), artwork by Invernomuto, commission mediated by Charlotte Laubard, Geneva, Switzerland, 2024https://cplusc.xyz/wp-content/uploads/2025/11/3_swiss_pavilion_boudry_lorenz_2019-1.jpg3_Swiss_Pavilion_Boudry_Lorenz_2019 (1)Moving Backwards: Pauline Boudry / Renate Lorenz, curated by Charlotte Laubard, exhibition view, Swiss Pavilion, Biennale di Venezia, 2019. Photo Annick Wetterhttps://cplusc.xyz/wp-content/uploads/2025/11/5_nx_commanditaires_bolivia-9_invernomuto_2024_1-1.jpg5_Nx_Commanditaires_Bolivia-9_Invernomuto_2024_1 (1)Nouveaux commanditaires (New Patrons), artwork by Lili Reynaud-Dewar, commission mediated by Charlotte Laubard, Fribourg, Switzerland, 2022. Photo Guillaume Pythonhttps://cplusc.xyz/wp-content/uploads/2025/11/9_portrait_charlotte_laubard-1.png9_portrait_Charlotte_Laubard (1)Charlotte Laubard. Photo Keystone / Gaetan Ballyhttps://cplusc.xyz/wp-content/uploads/2025/11/7_nx_commanditaires_lili_reynaud_dewar_2022-1.jpg7_Nx_commanditaires_Lili_Reynaud_Dewar_2022 (1)Nouveaux commanditaires (New Patrons), artwork by Invernomuto, commission mediated by Charlotte Laubard, Geneva, Switzerland, 20242025-11-06T11:06:17+00:00monthlyhttps://cplusc.xyz/2025/10/30/owneh-project-palestine/https://cplusc.xyz/wp-content/uploads/2025/10/izz-al-jabari.tj_.jpgIzz Al-Jabari.tjIzz Al-Jabari, I Shall Carve the Sun’s Words, exhibition view, 5 April 2025, Ramallah. Courtesy © A.M. Qattan Foundationhttps://cplusc.xyz/wp-content/uploads/2025/10/ruba-alfarawna-2.j.jpgRuba AlFarawna (2).jRuba AlFarawna, I Shall Carve the Sun’s Words, exhibition view, 5 April 2025, Ramallah. Courtesy © A.M. Qattan Foundationhttps://cplusc.xyz/wp-content/uploads/2025/10/ruba-alfarawna-1.jj_.jpgRuba AlFarawna (1).jjRuba AlFarawna, I Shall Carve the Sun’s Words, exhibition view, 5 April 2025, Ramallah. Courtesy © A.M. Qattan Foundationhttps://cplusc.xyz/wp-content/uploads/2025/10/ruba-alfarawna-1.j.jpgRuba AlFarawna (1).jRuba AlFarawna, I Shall Carve the Sun’s Words, exhibition view, 5 April 2025, Ramallah. Courtesy © A.M. Qattan Foundationhttps://cplusc.xyz/wp-content/uploads/2025/10/monther-jawabreh-3-1.jpgMonther Jawabreh (3)https://cplusc.xyz/wp-content/uploads/2025/10/monther-jawabreh-2-1.jpgMonther Jawabreh (2)https://cplusc.xyz/wp-content/uploads/2025/10/monther-jawabreh-1-1.jpgMonther Jawabreh (1)https://cplusc.xyz/wp-content/uploads/2025/10/general-views-4-1.jpggeneral views (4)https://cplusc.xyz/wp-content/uploads/2025/10/general-views-3-1.jpggeneral views (3)https://cplusc.xyz/wp-content/uploads/2025/10/general-views-3.jpggeneral views (3)I Shall Carve the Sun’s Words, exhibition view, 5 April 2025, Ramallah. Courtesy © A.M. Qattan Foundation2025-10-30T14:54:23+00:00monthlyhttps://cplusc.xyz/recensione-milano-nan-goldin/2025-10-30T10:14:07+00:00weekly0.6https://cplusc.xyz/2025/10/30/review-nan-goldin-milan/https://cplusc.xyz/wp-content/uploads/2025/10/10-the-ballad-of-sexual-dependency_sio2786.jpg10 The Ballad of Sexual Dependency_SIO2786Nan Goldin, The Ballad of Sexual Dependency, 1981–2022, installation view, Pirelli HangarBicocca, Milan, 2025. © Nan Goldin. Courtesy the artist, Gagosian, and Pirelli HangarBicocca, Milan. Photo Agostino Osiohttps://cplusc.xyz/wp-content/uploads/2025/10/2-1.jpg2Nan Goldin, This Will Not End Well, exhibition view, Pirelli HangarBicocca, Milan, 2025. © Nan Goldin. Courtesy the artist, Gagosian, and Pirelli HangarBicocca, Milan. Photo Agostino Osiohttps://cplusc.xyz/wp-content/uploads/2025/10/9-the-other-side_ago0721.jpg9 The Other Side_AGO0721Nan Goldin, The Other Side, 1992–2021, installation view, Pirelli HangarBicocca, Milan, 2025. © Nan Goldin. Courtesy the artist, Gagosian, and Pirelli HangarBicocca, Milan. Photo Agostino Osiohttps://cplusc.xyz/wp-content/uploads/2025/10/11-bleeding_ago1031.jpg11 Bleeding_AGO1031Soundwalk Collective, Bleeding, 2025, installation view, Pirelli HangarBicocca, Milan, 2025. Commissioned and produced by Pirelli HangarBicocca. © Nan Goldin. Courtesy the artists and Pirelli HangarBicocca, Milan. Photo Agostino Osiohttps://cplusc.xyz/wp-content/uploads/2025/10/7-stendhal-syndrome_ago0871.jpg7 Stendhal Syndrome_AGO0871Nan Goldin, Stendhal Syndrome, 2024, installation view, Pirelli HangarBicocca, Milan, 2025. © Nan Goldin. Courtesy the artist, Gagosian, and Pirelli HangarBicocca, Milan. Photo Agostino Osiohttps://cplusc.xyz/wp-content/uploads/2025/10/4-memory-lost_ago0688-_su-_ago0689.jpg4 Memory Lost_AGO0688 _su _AGO0689Nan Goldin, Memory Lost, 2019–202?, installation view, Pirelli HangarBicocca, Milan, 2025. © Nan Goldin. Courtesy the artist, Gagosian, and Pirelli HangarBicocca, Milan. Photo Agostino Osiohttps://cplusc.xyz/wp-content/uploads/2025/10/8-sisters-saints-sibyls_sio2565.jpg8 Sisters Saints Sibyls_SIO2565Nan Goldin, Sisters, Saints, Sibyls, 2004–2022, installation view, Pirelli HangarBicocca, Milan, 2025. © Nan Goldin. Courtesy the artist, Kramlich Collection and Pirelli HangarBicocca, Milan. Photo Agostino Osiohttps://cplusc.xyz/wp-content/uploads/2025/10/1-1.jpg1Nan Goldin, This Will Not End Well, exhibition view, Pirelli HangarBicocca, Milan, 2025. © Nan Goldin. Courtesy the artist, Gagosian, and Pirelli HangarBicocca, Milan. Photo Agostino Osiohttps://cplusc.xyz/wp-content/uploads/2025/10/3-1.jpg3Nan Goldin, This Will Not End Well, exhibition view, Pirelli HangarBicocca, Milan, 2025. © Nan Goldin. Courtesy the artist, Gagosian, and Pirelli HangarBicocca, Milan. Photo Agostino Osiohttps://cplusc.xyz/wp-content/uploads/2025/10/5-sirens_ago0586.jpg5 Sirens_AGO0586Nan Goldin, Sirens, 2019–2020, installation view, Pirelli HangarBicocca, Milan, 2025. © Nan Goldin. Courtesy the artist, Gagosian, and Pirelli HangarBicocca, Milan. Photo Agostino Osio2025-10-30T10:13:35+00:00monthlyhttps://cplusc.xyz/progetto-owneh-palestina/2025-10-30T07:59:45+00:00weekly0.6https://cplusc.xyz/ironia-cultura-pop-e-celebrita-lartista-esther-gamsu-si-racconta/2025-10-29T12:50:37+00:00weekly0.6https://cplusc.xyz/yeast-photo-festival-recensione/2025-10-23T16:19:26+00:00weekly0.6https://cplusc.xyz/castello-di-rivoli-inserzioni-recensione/2025-10-23T16:18:53+00:00weekly0.6https://cplusc.xyz/2025/10/23/castello-di-rivoli-inserzioni-review/https://cplusc.xyz/wp-content/uploads/2025/10/oscar-murillo-3.jpgOscar Murillo: A see of history, Castello di Rivoli, Turin, Italy, 2025Oscar Murillo, A see of history (Una visione della storia), 2025, installation view, Inserzioni, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino, 2025. Photo Tim Bowditch. Courtesy the artist © Oscar Murillohttps://cplusc.xyz/wp-content/uploads/2025/10/oscar-murillo-1.jpgOscar Murillo: A see of history, Castello di Rivoli, Turin, Italy, 2025Oscar Murillo, A see of history (Una visione della storia), 2025, installation view, Inserzioni, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino, 2025. Photo Tim Bowditch. Courtesy the artist © Oscar Murillohttps://cplusc.xyz/wp-content/uploads/2025/10/oscar-murillo-4.jpgOscar Murillo: A see of history, Castello di Rivoli, Turin, Italy, 2025Oscar Murillo, A see of history (Una visione della storia), 2025, installation view, Inserzioni, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino, 2025. Photo Tim Bowditch. Courtesy the artist © Oscar Murillohttps://cplusc.xyz/wp-content/uploads/2025/10/oscar-murillo-2.jpgOscar Murillo: A see of history, Castello di Rivoli, Turin, Italy, 2025Oscar Murillo, A see of history (Una visione della storia), 2025, installation view, Inserzioni, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino, 2025. Photo Tim Bowditch. Courtesy the artist © Oscar Murillohttps://cplusc.xyz/wp-content/uploads/2025/10/guglielmo-castelli-3.jpgGuglielmo Castelli (3)Guglielmo Castelli, installation view, Inserzioni, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino, 2025. Courtesy Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino. Photo Sebastiano Pellion di Persanohttps://cplusc.xyz/wp-content/uploads/2025/10/guglielmo-castelli-2.jpgGuglielmo Castelli (2)Guglielmo Castelli, installation view, Inserzioni, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino, 2025. Courtesy Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino. Photo Sebastiano Pellion di Persanohttps://cplusc.xyz/wp-content/uploads/2025/10/lydia-ourahmane-1.jpgLydia Ourahmane (1)Lydia Ourahmane, Per voce (For voice), 2025, installation view, Inserzioni, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino, 2025. Courtesy Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino. Photo Sebastiano Pellion di Persanohttps://cplusc.xyz/wp-content/uploads/2025/10/guglielmo-castelli-1.jpgGuglielmo Castelli (1)Guglielmo Castelli, installation view, Inserzioni, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino, 2025. Courtesy Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino. Photo Sebastiano Pellion di Persanohttps://cplusc.xyz/wp-content/uploads/2025/10/lydia-ourahmane-2.jpgLydia Ourahmane (2)Lydia Ourahmane, Per voce (For voice), 2025, installation view, Inserzioni, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino, 2025. Courtesy Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino. Photo Sebastiano Pellion di Persano2025-10-22T14:58:48+00:00monthlyhttps://cplusc.xyz/2025/10/23/yeast-photo-festival-review/https://cplusc.xyz/wp-content/uploads/2025/10/8.jpg8.Yeast Photo Festival, Martin Parr, Snack It!, exhibition view, Spiaggia della Purità, Gallipoli, 2025. Photo Florian W. Muellerhttps://cplusc.xyz/wp-content/uploads/2025/10/7.jpg7.Yeast Photo Festival, Klaus Pichler, One Third, exhibition view, KORA Center, Castrignano de’ Greci, 2025. Photo Florian W. Muellerhttps://cplusc.xyz/wp-content/uploads/2025/10/6.jpg6.Yeast Photo Festival, Sara Scanderebech, Green Resistance, exhibition view, Casa del Professore, Matino, 2025. Photo Alice Longohttps://cplusc.xyz/wp-content/uploads/2025/10/9.jpg9.Yeast Photo Festival, Martin Parr, Snack It!, exhibition view, Spiaggia della Purità, Gallipoli, 2025. Photo Florian W. Muellerhttps://cplusc.xyz/wp-content/uploads/2025/10/1.jpg1.Yeast Photo Festival, Blake Little, Preservation, exhibition view, Frantoio ipogeo, Matino, 2025. Photo Alice Longohttps://cplusc.xyz/wp-content/uploads/2025/10/2.jpg2.Yeast Photo Festival, Umberto Diecinove, I N S C T S, exhibition view, Aranceto, Matino, 2025. Photo Alice Longohttps://cplusc.xyz/wp-content/uploads/2025/10/3.jpg3.Yeast Photo Festival, Martin Parr, Snack It!, exhibition view, Palazzo dei Marchesi del Tufo, Matino, 2025. Photo Alice Longohttps://cplusc.xyz/wp-content/uploads/2025/10/4.jpg4.Yeast Photo Festival, Martin Parr, Snack It!, exhibition view, Palazzo dei Marchesi del Tufo, Matino, 2025. Photo Alice Longohttps://cplusc.xyz/wp-content/uploads/2025/10/5.jpg5.Yeast Photo Festival, Martin Parr, Snack It!, exhibition view, Palazzo dei Marchesi del Tufo, Matino, 2025. 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Safwan Sabzwari, Please Like Me seriesSafwan Sabzwari, Please Like Me series, feed (/) me, exhibition view, HAAM Gallery, Lahore 2025. Courtesy HAAM Gallery, Lahore, Pakistanhttps://cplusc.xyz/wp-content/uploads/2025/10/3.-nakshab-rehman-toilet-pata.jpg3. Nakshab Rehman, Toilet PataNakshab Rehman, Toilet Pata, feed (/) me, exhibition view, HAAM Gallery, Lahore 2025. Courtesy HAAM Gallery, Lahore, Pakistanhttps://cplusc.xyz/wp-content/uploads/2025/10/4.-safwan-sabzwari-please-like-me-series.jpg4. Safwan Sabzwari, Please Like Me seriesSafwan Sabzwari, Please Like Me series, feed (/) me, exhibition view, HAAM Gallery, Lahore 2025. Courtesy HAAM Gallery, Lahore, Pakistanhttps://cplusc.xyz/wp-content/uploads/2025/10/5.safwan-sabzwari-please-like-me-series.jpg5.Safwan Sabzwari, Please Like Me seriesSafwan Sabzwari, Please Like Me series, feed (/) me, exhibition view, HAAM Gallery, Lahore 2025. 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Photo Doris Fatur and Hrvoje Franjićhttps://cplusc.xyz/wp-content/uploads/2025/10/k_03.jpgPavilion of Croatia at the 19th International Architecture Exhibition of La Biennale di Venezia, 2025. Photo Doris Fatur and Hrvoje FranjićPavilion of Croatia at the 19th International Architecture Exhibition of La Biennale di Venezia, 2025. Photo Doris Fatur and Hrvoje Franjićhttps://cplusc.xyz/wp-content/uploads/2025/10/k_06.jpgPavilion of Croatia at the 19th International Architecture Exhibition of La Biennale di Venezia, 2025. Photo Doris Fatur and Hrvoje FranjićPavilion of Croatia at the 19th International Architecture Exhibition of La Biennale di Venezia, 2025. Photo Doris Fatur and Hrvoje Franjić2025-10-03T06:51:40+00:00weekly0.6https://cplusc.xyz/2025/10/02/ida-krizaj-leko-interview/2025-10-03T06:48:55+00:00monthlyhttps://cplusc.xyz/intervista-kyle-meyer/https://cplusc.xyz/wp-content/uploads/2025/09/kyle-meyer-95-bedford-spring-2022-pigment-on-fabric-courtesy-of-the-artist-1.jpegKyle Meyer, 95 Bedford, Spring 2022, Pigment on fabric, Courtesy of the artistKyle Meyer, 95 Bedford, Spring 2022, Pigment on fabric. Courtesy of the artisthttps://cplusc.xyz/wp-content/uploads/2025/09/kyle-meyer-unidentified-131a-part-of-interwoven-series-2021-91.5-x-137-cm-archival-pigment-print-woven-with-waxprint-fabric-courtesy-of-the-artist.jpgKyle Meyer, Unidentified 131a, part of Interwoven series, 2021, 91.5 x 137 cm, Archival pigment print woven with waxprint fabric, Courtesy of the artistKyle Meyer, Unidentified 131a, part of Interwoven series, 2021, 91.5 x 137 cm, Archival pigment print woven with waxprint fabric. 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Courtesy of the artisthttps://cplusc.xyz/wp-content/uploads/2025/09/kyle-meyer-fire-island-fool-2024-115-x-165-cm-hand-dyed-cotton-fabric-courtesy-of-the-artist.jpegKyle Meyer, Fire Island Fool, 2024, 115 x 165 cm, Hand dyed cotton fabric, Courtesy of the artistKyle Meyer, Fire Island Fool, 2024, 115 x 165 cm, Hand dyed cotton fabric. Courtesy of the artisthttps://cplusc.xyz/wp-content/uploads/2025/09/kyle-meyer-95-bedford-spring-2022-pigment-on-fabric-courtesy-of-the-artist.jpegKyle Meyer, 95 Bedford, Spring 2022, Pigment on fabric, Courtesy of the artist.Kyle Meyer, 95 Bedford, Spring 2022, Pigment on fabric. 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Photo by Veronica Badolinhttps://cplusc.xyz/wp-content/uploads/2025/09/mb_2.jpgMB_2Danilo Correale, Reverie, S.a.L.E. Docks, Venezia 20172025-09-18T13:33:32+00:00monthlyhttps://cplusc.xyz/tommaso-pandolfi-intervista/2025-09-16T09:37:12+00:00weekly0.6https://cplusc.xyz/2025/09/12/tommaso-pandolfi-interview/https://cplusc.xyz/wp-content/uploads/2025/09/06_.png06_Live cinema performance with Pedro Maia, Argo16 (2023)https://cplusc.xyz/wp-content/uploads/2025/09/05_.jpg05_Il metro e la terra, solo show at SanSecondo, Milano (2024). Curated by Filippo Perfetti. Photo by Giovanni Galanellohttps://cplusc.xyz/wp-content/uploads/2025/09/03a.jpg03ADrawings for Thy Tumultuous Rooms (video, 4K, stereo sound, 2025)https://cplusc.xyz/wp-content/uploads/2025/09/04_.jpg04_Index, solo show at Aarduork, Venezia (2023). Curated by Mario Ciaramitaro and Alberto Restuccihttps://cplusc.xyz/wp-content/uploads/2025/09/08a_-1.jpg08A_Stills from The Streams of Time on Stone Dreams (video, 4K, stereo sound, 2023)https://cplusc.xyz/wp-content/uploads/2025/09/01_-1.jpg01_Tommaso Pandolfi in his studio, in residency at Fondazione Bevilacqua La Masa, Venice. 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Photo: Mathilda Olmi © Centre d’Art contemporain Genève2025-08-31T15:37:21+00:00weekly0.6https://cplusc.xyz/2025/08/28/interview-andrea-bellini/2025-08-31T08:58:35+00:00monthlyhttps://cplusc.xyz/intervista-marton-pinter-curatore/2025-08-23T06:37:33+00:00weekly0.6https://cplusc.xyz/2025/08/14/interview-marton-pinter-curator/https://cplusc.xyz/wp-content/uploads/2025/08/curator-and-research-team.jpgCurator and Research Team. Szőke Gergely, Novák Doró, Böröndy Júlia, Manhertz Ingrid, Pintér Márton, Graf András. Photo Novák DoróCurator and Research Team. Szőke Gergely, Novák Doró, Böröndy Júlia, Manhertz Ingrid, Pintér Márton, Graf András. Photo Novák Doróhttps://cplusc.xyz/wp-content/uploads/2025/08/nincs_itt_semmi_latnivalo_teremreszlet_2025_s_1.pngThere is Nothing to See Here. Export Your Knowledge!, Hungarian Pavilion, Biennale Architettura 2025, Venice. Installation view, photo Zsofia Szabo. Courtesy Ludwig Museum ‒ Museum of Contemporary ArtThere is Nothing to See Here. 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Export Your Knowledge!, Hungarian Pavilion, Biennale Architettura 2025, Venice. Installation view, photo Zsofia Szabo. Courtesy Ludwig Museum ‒ Museum of Contemporary Arthttps://cplusc.xyz/wp-content/uploads/2025/08/nincs_itt_semmi_latnivalo_teremreszlet_2025_s_14.pngThere is Nothing to See Here. Export Your Knowledge!, Hungarian Pavilion, Biennale Architettura 2025, Venice. Installation view, photo Zsofia Szabo. Courtesy Ludwig Museum ‒ Museum of Contemporary ArtThere is Nothing to See Here. Export Your Knowledge!, Hungarian Pavilion, Biennale Architettura 2025, Venice. Installation view, photo Zsofia Szabo. Courtesy Ludwig Museum ‒ Museum of Contemporary Arthttps://cplusc.xyz/wp-content/uploads/2025/08/nincs_itt_semmi_latnivalo_teremreszlet_2025_s_15.pngThere is Nothing to See Here. Export Your Knowledge!, Hungarian Pavilion, Biennale Architettura 2025, Venice. Installation view, photo Zsofia Szabo. Courtesy Ludwig Museum ‒ Museum of Contemporary ArtThere is Nothing to See Here. 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Courtesy of the Art Basis, YerevanGor Yengoyan, Tell it to the water, let it carry away, 2024, video, 28 m 44 s. Courtesy of the Art Basis, Yerevan2025-08-20T16:58:35+00:00weekly0.6https://cplusc.xyz/2025/08/14/berlin-exhibition-review/2025-08-13T12:58:34+00:00monthlyhttps://cplusc.xyz/intervista-marta-magini/2025-08-08T17:28:33+00:00weekly0.6https://cplusc.xyz/intervista-silvia-fiorucci/2025-08-08T17:28:12+00:00weekly0.6https://cplusc.xyz/2025/08/07/interview-marta-magini/https://cplusc.xyz/wp-content/uploads/2025/08/1_ph-giacomo-bianco.jpg1_ph giacomo biancoSwinging is like saying no no no, by and with Marta Magini, live music by Nicola Di Croce, supported by CTR Centro Teatrale di Ricerca (Venice), Terzospazio Zolforosso (Venice), Microcosmi Festival (Ancona), 30 min, 2023. Photo by Giacomo Bianco (2023)https://cplusc.xyz/wp-content/uploads/2025/08/2_ph-giacomo-bianco.jpg2_ph giacomo biancoSwinging is like saying no no no, by and with Marta Magini, live music by Nicola Di Croce, supported by CTR Centro Teatrale di Ricerca (Venice), Terzospazio Zolforosso (Venice), Microcosmi Festival (Ancona), 30 min, 2023. Photo by Giacomo Bianco (2023)https://cplusc.xyz/wp-content/uploads/2025/08/3_still-da-video.png3_still da videoSwung (Activation 1: Centro Culturale Altinate San Gaetano), video still from video installation, 2024, camera by Marta Magini, sound by Nicola Di Croce, 30 min. Courtesy of the artist (2024)https://cplusc.xyz/wp-content/uploads/2025/08/0_ritratto_ph-giacomo-bianco.jpg0_ritratto_ph giacomo biancoPortrait of Marta Magini, photo Giacomo Biancohttps://cplusc.xyz/wp-content/uploads/2025/08/5_ph-michela-del-longo.jpg5_ph michela del longoLuccica segreto, luccica segreto, luccica (Movement I; Movement II; Movement III), flip book trilogy, 7.4 × 10.5 cm each volume, 184 pages (A.P. no.1), 2024, project, illustrations and text by Marta Magini, graphic design by Giorgia Florenzano. Photo by Michela Del Longo (2024)https://cplusc.xyz/wp-content/uploads/2025/08/4_ph-michela-del-longo.jpg4_ph michela del longoLuccica segreto, luccica segreto, luccica (Movement I; Movement II; Movement III), flip book trilogy, 7.4 × 10.5 cm each volume, 184 pages (A.P. no.1), 2024, project, illustrations and text by Marta Magini, graphic design by Giorgia Florenzano. Photo by Michela Del Longo (2024)https://cplusc.xyz/wp-content/uploads/2025/08/7_bevilacqua.jpg7_bevilacquaLuccica segreto (Movement II in six parts), zinc etching, 15 × 20 cm each (series of six pieces), 2025. Courtesy of the artist (2025)https://cplusc.xyz/wp-content/uploads/2025/08/6_bevilacqua.jpeg6_bevilacquaLuccica segreto (Movement II in six parts), zinc etching, 15 × 20 cm each (series of six pieces), 2025. Courtesy of Fondazione Bevilacqua La Masa (2025)https://cplusc.xyz/wp-content/uploads/2025/08/8_ph-marta-magini.jpg8_ph marta maginiLuccica segreto (It Could Be Calm and Yet It Is a Potential Hell; Movement IV), video installation, 2024, HD video, loop, camera by Marta Magini, editing by Oleksandra Horobets. Courtesy of the artist (2024)2025-08-07T17:01:06+00:00monthlyhttps://cplusc.xyz/2025/08/07/interview-silvia-fiorucci/https://cplusc.xyz/wp-content/uploads/2025/08/julierichoz_4roomsdesign_rosso_kastellorizo_2022_photodepasqualemaffini-1.jpgJulieRichoz_4ROOMSDesign_Rosso_Kastellorizo_2022_PhotoDePasqualeMaffini (1)Julie Richoz, 4Rooms Design, Rosso, Kastellorizo, 2022. Photo by De Pasquale Maffinihttps://cplusc.xyz/wp-content/uploads/2025/08/superpoly_4roomsdesign_rosso_kastellorizo_2022_photodepasqualemaffini.jpgSUPERPOLY_4ROOMSDesign_Rosso_Kastellorizo_2022_PhotoDePasqualeMaffiniSuperpoly, 4Rooms Design, Rosso, Kastellorizo, 2022. Photo by De Pasquale Maffinihttps://cplusc.xyz/wp-content/uploads/2025/08/julierichoz_4roomsdesign_rosso_kastellorizo_2022_photodepasqualemaffini.jpgJulieRichoz_4ROOMSDesign_Rosso_Kastellorizo_2022_PhotoDePasqualeMaffiniJulie Richoz, 4Rooms Design, Rosso, Kastellorizo, 2022. Photo by De Pasquale Maffinihttps://cplusc.xyz/wp-content/uploads/2025/08/undstudio_4roomsdesign_rosso_kastellorizo_2022_photodepasqualemaffini-1.jpgUNDStudio_4ROOMSDesign_Rosso_Kastellorizo_2022_PhotoDePasqualeMaffiniUnd Studio, 4Rooms Design, Rosso, Kastellorizo, 2022. Photo by De Pasquale Maffinihttps://cplusc.xyz/wp-content/uploads/2025/08/rodriguez_midsummerdaydream_ramos_grasse_2025_photopierremorel.jpgRodriguez_MidsummerDaydream_Ramos_Grasse_2025_PhotoPierreMorelRodriguez, Midsummer Daydream, Ramos, Grasse, 2025. Photo by Pierre Morelhttps://cplusc.xyz/wp-content/uploads/2025/08/bertin_midsummerdaydream_ramos_grasse_2025_photopierremorel.jpgBertin_MidsummerDaydream_Ramos_Grasse_2025_PhotoPierreMorelBertin, Midsummer Daydream, Ramos, Grasse, 2025. Photo by Pierre Morelhttps://cplusc.xyz/wp-content/uploads/2025/08/brynjarveronika_4roomsdesign_rosso_kastellorizo_2022_photodepasqualemaffini-1.jpegBrynjarVeronika_4ROOMSDesign_Rosso_Kastellorizo_2022_PhotoDePasqualeMaffini (1)Brynjar & Veronika, 4Rooms Design, Rosso, Kastellorizo, 2022. Photo by De Pasquale Maffinihttps://cplusc.xyz/wp-content/uploads/2025/08/libreriadelleapi_presentazione_venezia_2025_photopierremorel.jpgLibreria Delle Api : Polline 1 & 2 VeniceLibreria delle Api, installation view, Venice, 2025. Photo by Pierre Morelhttps://cplusc.xyz/wp-content/uploads/2025/08/bertin_midsummerdaydream_ramos_grasse_2025_photopierremorel-1.jpgBertin_MidsummerDaydream_Ramos_Grasse_2025_PhotoPierreMorel (1)Bertin, Midsummer Daydream, Ramos, Grasse, 2025. Photo by Pierre Morelhttps://cplusc.xyz/wp-content/uploads/2025/08/brynjarveronika_4roomsdesign_rosso_kastellorizo_2022_photodepasqualemaffini.jpegBrynjarVeronika_4ROOMSDesign_Rosso_Kastellorizo_2022_PhotoDePasqualeMaffiniBrynjar & Veronika, 4Rooms Design, Rosso, Kastellorizo, 2022. Photo by De Pasquale Maffini2025-08-07T10:18:42+00:00monthlyhttps://cplusc.xyz/intervista-stefano-mudu/2025-07-30T19:34:06+00:00weekly0.6https://cplusc.xyz/recensione-tolia-astakhishvili/2025-07-30T19:33:24+00:00weekly0.6https://cplusc.xyz/intervista-alessandra-galletta/2025-07-30T19:32:42+00:00weekly0.6https://cplusc.xyz/2025/07/31/exhibition-review-tolia-astakhishvili/https://cplusc.xyz/wp-content/uploads/2025/07/1.-tolia-astakhishvili-each-year-the-same-season-2025.jpgTolia Astakhishvili, each year, the same season , 2025 plexiglass, acrylic paint, wood 480 x 180 cm, each: 180 x 40 cmTolia Astakhishvili, each year, the same season, 2025 plexiglass, acrylic paint, wood 480 x 180 cm, each: 180 x 40 cmhttps://cplusc.xyz/wp-content/uploads/2025/07/14.-tolia-astakhishvili-forbidden-place-2025.jpg14. 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Dimensions variablehttps://cplusc.xyz/wp-content/uploads/2025/07/9.-tolia-astakhishvili-i-love-seeing-myself-through-the-eyes-of-others-2025.jpg9. Tolia Astakhishvili, I love seeing myself through the eyes of others, 2025Tolia Astakhishvili, I love seeing myself through the eyes of others, 2025. Sound by Dylan Peirce. Plastic, acrylic paint, photos, found objects, material storage, light, 614 x 430 x 290 cmhttps://cplusc.xyz/wp-content/uploads/2025/07/3.-installation-view_-to-love-and-devour.jpgTolia Astakhishvili: to love and devour. Installation view, Nicoletta Fiorucci Foundation, Venice 2025Tolia Astakhishvili, to love and devour. Installation view, Nicoletta Fiorucci Foundation, Venice, 2025https://cplusc.xyz/wp-content/uploads/2025/07/11.-tolia-astakishvili-universe-2025.jpgTolia Astakhishvili, universe, 2025, washing hanger from demolished bathroom, found objects. 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Credit: © LAGALLA 23 productions 2020https://cplusc.xyz/wp-content/uploads/2025/07/8-marialai_immagine_5.jpg8 MARIALAI_IMMAGINE_5Maria Lai, Telaio-soffitto, 1982, Open-air museum, Ulassai. Credit: © LAGALLA 23 productions 2020https://cplusc.xyz/wp-content/uploads/2025/07/4-ettore-spalletti_poster_new.jpg4 Ettore Spalletti_POSTER_NEWOfficial poster of the Ettore Spalletti documentary. Credit: Alessandra Gallettahttps://cplusc.xyz/wp-content/uploads/2025/07/2-ettore-spalletti-dettaglio.webp2 ETTORE SPALLETTI dettaglioFilm still of Ettore Spalletti. Credit: Alessandra Gallettahttps://cplusc.xyz/wp-content/uploads/2025/07/5-locandina-ossessine-vezzoli.jpg5 locandina Ossessine VezzoliPoster of the documentary Ossessione Vezzoli. Credit: Alessandra Gallettahttps://cplusc.xyz/wp-content/uploads/2025/07/3-ettore-spalletti-frame-film.webp3 ETTORE SPALLETTI frame filmEttore Spalletti, detail view. Credit: Alessandra Gallettahttps://cplusc.xyz/wp-content/uploads/2025/07/1.jpeg1Stefano Mudu. Photo by Claudio Piscopohttps://cplusc.xyz/wp-content/uploads/2025/07/3-3.jpg3Installation view of When Attitudes Become Form: Bern 1969/Venice 2013. From left to right: Richard Serra, Close Pin Prop (1969), Shovel Plate Prop (1969), Sign Board Prop (1969, refabricated 1987). Fondazione Prada, Ca’ Corner della Regina, Venice, June 1 – November 3, 2013. Photo by Attilio Maranzano. Courtesy of Fondazione Prada2025-07-30T15:01:47+00:00monthlyhttps://cplusc.xyz/2025/07/31/interview-stefano-mudu/2025-07-30T14:39:05+00:00monthlyhttps://cplusc.xyz/recensione-mattia-sinigaglia-venezia/2025-07-24T11:35:18+00:00weekly0.6https://cplusc.xyz/recensione-aleksander-veliscek-venezia/2025-07-24T11:34:53+00:00weekly0.6https://cplusc.xyz/recensione-parabita-per-il-contemporaneo/2025-07-24T11:34:28+00:00weekly0.6https://cplusc.xyz/2025/07/24/interview-esther-gamsu/https://cplusc.xyz/wp-content/uploads/2025/07/mask_2025.jpgMask_2025Esther Gamsu, Mask (2025), latex, acrylic paint, varnish https://cplusc.xyz/wp-content/uploads/2025/07/bleacher_2025.jpgBleacher_2025Esther Gamsu, Bleacher (2025), wood, PVA, gloss paint https://cplusc.xyz/wp-content/uploads/2025/07/bed-2025.jpgBed, 2025Esther Gamsu, Bed (2025), MDF, paint, glue, printed cotton, foam https://cplusc.xyz/wp-content/uploads/2025/07/slow-manifesto-exhibition-view-2025-school-for-curatorial-studies-venice-a-plus-a-gallery-ph-clelia-cadamuro-1.jpgSLOW MANIFESTO, exhibition view, 2025, School for Curatorial Studies Venice, A plus A Gallery, ph Clelia Cadamuro (1)Slow Manifesto, exhibition view, 2025, School for Curatorial Studies Venice, A plus A Gallery, photo Clelia Cadamuro https://cplusc.xyz/wp-content/uploads/2025/07/esther-gamsu-bugsy-malone-2017-video-31.-courtesy-of-the-artist-ph-clelia-cadamuro.jpgEsther Gamsu, Bugsy Malone, 2017 video, 31’. Courtesy of the artist, ph Clelia CadamuroEsther Gamsu, Bugsy Malone, 2017 video, 31’. Courtesy of the artist, photo Clelia Cadamuro https://cplusc.xyz/wp-content/uploads/2025/07/scot-op.jpgscot-opEsther Gamsu. Photo Andy Keate 2025-07-24T06:44:29+00:00monthlyhttps://cplusc.xyz/2025/07/24/review-parabita-per-il-contemporaneo/https://cplusc.xyz/wp-content/uploads/2025/07/031.jpg031Francesco Arena, La Grotta, 2025, site-specific installation (basins in leccese stone, neon). Ipogea project, City of Parabita. Photo by Gabriele Fioritohttps://cplusc.xyz/wp-content/uploads/2025/07/030.jpg030Francesco Arena, La Grotta, 2025, site-specific installation (basins in leccese stone, neon). Ipogea project, City of Parabita. Photo by Gabriele Fioritohttps://cplusc.xyz/wp-content/uploads/2025/07/021.jpg021Francesco Arena, La Grotta, 2025, site-specific installation (basins in leccese stone, neon). Ipogea project, City of Parabita. Photo by Gabriele Fioritohttps://cplusc.xyz/wp-content/uploads/2025/07/007-1.jpg007Francesco Arena, La Grotta, 2025, site-specific installation (basins in leccese stone, neon). Ipogea project, City of Parabita. Photo by Gabriele Fioritohttps://cplusc.xyz/wp-content/uploads/2025/07/006.jpg006https://cplusc.xyz/wp-content/uploads/2025/07/005.jpg005Francesco Arena, La Grotta, 2025, site-specific installation (basins in leccese stone, neon). Ipogea project, City of Parabita. Photo by Gabriele Fioritohttps://cplusc.xyz/wp-content/uploads/2025/07/002-1.jpg002Francesco Arena, La Grotta, 2025, site-specific installation (basins in leccese stone, neon). Ipogea project, City of Parabita. Photo by Gabriele Fioritohttps://cplusc.xyz/wp-content/uploads/2025/07/034.jpg034Francesco Arena, La Grotta, 2025, site-specific installation (basins in leccese stone, neon). Ipogea project, City of Parabita. Photo by Gabriele Fioritohttps://cplusc.xyz/wp-content/uploads/2025/07/mappa_votiva_ok.jpgMappa_Votiva_okMappa Votiva. Grafica Walter Santomaurohttps://cplusc.xyz/wp-content/uploads/2025/07/037.jpg037Ludovica Carbotta, S/T (segnale non visivo), 2024, site-specific installation, high relief, water-based resin, graphite, paint, cm 70 x 40 x 40. Photo Gabriele Fiorito2025-07-24T06:42:28+00:00monthlyhttps://cplusc.xyz/2025/07/24/exhibition-review-aleksander-veliscek-venice/https://cplusc.xyz/wp-content/uploads/2025/07/image00002.jpgimage00002Aleksander Velišček, To ni to, kar vidim! (Stigmate di San Francesco di Jan Van Eyck), I Pilastri, Spazio Joystick Venezia (2025). Courtesy of Fondazione Malutta https://cplusc.xyz/wp-content/uploads/2025/07/image00001.jpgProcessed with VSCO with al5 presetAleksander Velišček, To ni to, kar vidim! (Stigmate di San Francesco di Jan Van Eyck), exhibition view, Spazio Joystick, Venezia 2025. Courtesy of Fondazione Malutta https://cplusc.xyz/wp-content/uploads/2025/07/image00006.jpgProcessed with VSCO with al5 presetAleksander Velišček, To ni to, kar vidim! (Stigmate di San Francesco di Jan Van Eyck), work detail, Spazio Joystick Venezia (2025). Courtesy of Fondazione Malutta https://cplusc.xyz/wp-content/uploads/2025/07/image00005.jpgProcessed with VSCO with al5 presetAleksander Velišček, To ni to, kar vidim! (Stigmate di San Francesco di Jan Van Eyck), work detail, Spazio Joystick Venezia (2025). Courtesy of Fondazione Malutta https://cplusc.xyz/wp-content/uploads/2025/07/image00007.jpegimage00007Aleksander Velišček, To ni to, kar vidim! (Stigmate di San Francesco di Jan Van Eyck), Spazio Joystick Venezia (2025). Courtesy of Fondazione Malutta https://cplusc.xyz/wp-content/uploads/2025/07/image00004.jpgProcessed with VSCO with al5 presetAleksander Velišček, To ni to, kar vidim! (Stigmate di San Francesco di Jan Van Eyck), exhibition view, Spazio Joystick Venezia (2025). Courtesy of Fondazione Malutta https://cplusc.xyz/wp-content/uploads/2025/07/image00003.jpgimage00003Aleksander Velišček, To ni to, kar vidim! (Stigmate di San Francesco di Jan Van Eyck), exhibition view, Spazio Joystick Venezia (2025). Courtesy of Fondazione Malutta https://cplusc.xyz/wp-content/uploads/2025/07/image00008.jpgimage00008Aleksander Velišček, To ni to, kar vidim! (Stigmate di San Francesco di Jan Van Eyck), exhibition view, Spazio Joystick, Venezia 2025. Photo by Anastasia Parvanova, Bianca Francesca Serafin. Courtesy of Fondazione Malutta 2025-07-24T06:40:47+00:00monthlyhttps://cplusc.xyz/2025/07/24/exhibition-review-mattia-sinigaglias-venice/https://cplusc.xyz/wp-content/uploads/2025/07/mattia-sinigaglia-bones-and-tears-of-color-2024-oil-ceramic-wood-and-linen-60x50-cm.pngMattia Sinigaglia, Bones and tears of color, 2024, oil ceramic, wood and linen, 60x50 cmMattia Sinigaglia, Bones and tears of color, 2024, oil ceramic, wood and linen, 60x50 cm, photo Clelia Cadamurohttps://cplusc.xyz/wp-content/uploads/2025/07/09_-mattia-sinigaglia-lanimale-che-dunque-sono-exhibition-view-a-plus-a-gallery-2025-ph-clelia-cadamuro.jpg09_ Mattia Sinigaglia, L'animale che dunque sono, exhibition view, A plus A Gallery, 2025, ph Clelia CadamuroMattia Sinigaglia, L'animale che dunque sono, exhibition view, A plus A Gallery, 2025, photo Clelia Cadamurohttps://cplusc.xyz/wp-content/uploads/2025/07/mattia-sinigaglia-never-ending-flower-2024-oil-ceramic-wood-and-linen-50-x-40-cm.jpgMattia Sinigaglia, Never ending flower, 2024, oil, ceramic, wood and linen, 50 x 40 cmMattia Sinigaglia, Never ending flower, 2024, oil, ceramic, wood and linen, 50 x 40 cm, photo Clelia Cadamurohttps://cplusc.xyz/wp-content/uploads/2025/07/mattia-sinigaglia-ti-vede-olio-gold-silver-multicolor-leaf-on-canvas-200-x-300-cm-1.jpgdavMattia Sinigaglia, Ti vede, olio, gold-silver-multicolor leaf on canvas, 200 x 300 cmhttps://cplusc.xyz/wp-content/uploads/2025/07/01_-mattia-sinigaglia-lanimale-che-dunque-sono-exhibition-view-a-plus-a-gallery-2025-ph-clelia-cadamuro.jpg01_ Mattia Sinigaglia, L'animale che dunque sono, exhibition view, A plus A Gallery, 2025, ph Clelia CadamuroMattia Sinigaglia, L'animale che dunque sono, exhibition view, A plus A Gallery, 2025, photo Clelia Cadamurohttps://cplusc.xyz/wp-content/uploads/2025/07/mattia-sinigaglia-natural-mania-2024-oil-ceramic-wood-and-linen-50-x-40-cm.jpgMattia Sinigaglia, Natural Mania, 2024, oil, ceramic, wood and linen, 50 x 40 cmMattia Sinigaglia, Natural Mania, 2024, oil, ceramic, wood and linen, 50 x 40 cm, photo Clelia Cadamurohttps://cplusc.xyz/wp-content/uploads/2025/07/03_-mattia-sinigaglia-lanimale-che-dunque-sono-exhibition-view-a-plus-a-gallery-2025-ph-clelia-cadamuro.jpg03_ Mattia Sinigaglia, L'animale che dunque sono, exhibition view, A plus A Gallery, 2025, ph Clelia CadamuroMattia Sinigaglia, L'animale che dunque sono, exhibition view, A plus A Gallery, 2025, photo Clelia Cadamurohttps://cplusc.xyz/wp-content/uploads/2025/07/mattia-sinigaglia-not-cip-2025-glazed-ceramic-ph-clelia-cadamuro.jpgMattia Sinigaglia, not cip, 2025, glazed ceramic, ph Clelia CadamuroMattia Sinigaglia, not cip, 2025, glazed ceramic, photo Clelia Cadamurohttps://cplusc.xyz/wp-content/uploads/2025/07/06_mattia-sinigaglia-love-is-a-garden-2025-oil-on-linen-glazed-ceramic-centuries-old-chestnut-wood-artist-frame-715-x-585-cm-ph-clelia-cadamuro.jpg06_Mattia Sinigaglia, Love is a garden, 2025, oil on linen, glazed ceramic centuries-old chestnut wood artist frame, 71,5 x 58,5 cm, ph Clelia CadamuroMattia Sinigaglia, Love is a garden, 2025, oil on linen, glazed ceramic centuries-old chestnut wood artist frame, 71,5 x 58,5 cm, photo Clelia Cadamurohttps://cplusc.xyz/wp-content/uploads/2025/07/14_mattia-sinigaglia-datura-2025-oil-on-linen-centuries-old-chestnut-wood-artist-frame-46-x-605-cm-ph-clelia-cadamuro-1.jpg14_Mattia Sinigaglia, Datura, 2025, oil on linen, centuries-old chestnut wood artist frame, 46 x 60,5 cm, ph Clelia Cadamuro (1)Mattia Sinigaglia, Datura, 2025, oil on linen, centuries-old chestnut wood artist frame, 46 x 60,5 cm, photo Clelia Cadamuro2025-07-24T06:36:36+00:00monthlyhttps://cplusc.xyz/recensione-rob-tucker-venezia/2025-07-17T16:13:00+00:00weekly0.6https://cplusc.xyz/recensione-loris-cecchini-a-venezia/https://cplusc.xyz/wp-content/uploads/2025/07/cecchini-ca-rezzonico-ph-irene-fanizza-18.jpgcecchini ca rezzonico ph irene fanizza-18Loris Cecchini. Leaps, gaps and overlapping diagrams, exhibition view, Ca’ Rezzonico – Museo del Settecento Veneziano, Venezia 2024-25. Photo Irene Fanizza https://cplusc.xyz/wp-content/uploads/2025/07/cecchini-ca-rezzonico-ph-irene-fanizza-14.jpgcecchini ca rezzonico ph irene fanizza-14Loris Cecchini. Leaps, gaps and overlapping diagrams, exhibition view, Ca’ Rezzonico – Museo del Settecento Veneziano, Venezia 2024-25. Photo Irene Fanizza https://cplusc.xyz/wp-content/uploads/2025/07/cecchini-ca-rezzonico-ph-irene-fanizza-3.jpgcecchini ca rezzonico ph irene fanizza-3Loris Cecchini. Leaps, gaps and overlapping diagrams, exhibition view, Ca’ Rezzonico – Museo del Settecento Veneziano, Venezia 2024-25. Photo Irene Fanizza https://cplusc.xyz/wp-content/uploads/2025/07/cecchini-ca-rezzonico-ph-irene-fanizza-9.jpgcecchini ca rezzonico ph irene fanizza-9Loris Cecchini. Leaps, gaps and overlapping diagrams, exhibition view, Ca’ Rezzonico – Museo del Settecento Veneziano, Venezia 2024-25. Photo Irene Fanizza https://cplusc.xyz/wp-content/uploads/2025/07/cecchini-ca-rezzonico-ph-irene-fanizza-30.jpgcecchini ca rezzonico ph irene fanizza-30Loris Cecchini. Leaps, gaps and overlapping diagrams, exhibition view, Ca’ Rezzonico – Museo del Settecento Veneziano, Venezia 2024-25. Photo Irene Fanizza https://cplusc.xyz/wp-content/uploads/2025/07/cecchini-ca-rezzonico-ph-irene-fanizza-26-1.jpgcecchini ca rezzonico ph irene fanizza-26 (1)Loris Cecchini. Leaps, gaps and overlapping diagrams, exhibition view, Ca’ Rezzonico – Museo del Settecento Veneziano, Venezia 2024-25. Photo Irene Fanizza https://cplusc.xyz/wp-content/uploads/2025/07/cecchini-ca-rezzonico-ph-irene-fanizza-12.jpgcecchini ca rezzonico ph irene fanizza-12https://cplusc.xyz/wp-content/uploads/2025/07/cecchini-ca-rezzonico-ph-irene-fanizza-19.jpgcecchini ca rezzonico ph irene fanizza-19Loris Cecchini. Leaps, gaps and overlapping diagrams, exhibition view, Ca’ Rezzonico – Museo del Settecento Veneziano, Venezia 2024-25. Photo Irene Fanizza https://cplusc.xyz/wp-content/uploads/2025/07/cecchini-ca-rezzonico-ph-irene-fanizza-16.jpgcecchini ca rezzonico ph irene fanizza-16Loris Cecchini. Leaps, gaps and overlapping diagrams, exhibition view, Ca’ Rezzonico – Museo del Settecento Veneziano, Venezia 2024-25. Photo Irene Fanizza https://cplusc.xyz/wp-content/uploads/2025/07/cecchini-ca-rezzonico-ph-irene-fanizza-8.jpgcecchini ca rezzonico ph irene fanizza-8Loris Cecchini. Leaps, gaps and overlapping diagrams, exhibition view, Ca’ Rezzonico – Museo del Settecento Veneziano, Venezia 2024-25. Photo Irene Fanizza 2025-07-17T16:12:38+00:00weekly0.6https://cplusc.xyz/locarno-residency-cinema-venezia/2025-07-17T16:10:29+00:00weekly0.6https://cplusc.xyz/arte-poverissima-recensione-venezia/2025-07-17T16:09:58+00:00weekly0.6https://cplusc.xyz/recensione-tatiana-trouve-venezia/2025-07-17T16:09:24+00:00weekly0.6https://cplusc.xyz/manifestica-zolforosso-venezia/2025-07-17T16:08:21+00:00weekly0.6https://cplusc.xyz/2025/07/17/exhibition-review-tatiana-trouve-venice/https://cplusc.xyz/wp-content/uploads/2025/07/iv_tatianatrouve_1.jpgiv_tatianatrouvé_1Tatiana Trouvé​, Hors-sol, 2025, Collection of the artist © Tatiana Trouvé, by SIAE 2025. Installation view, “Tatiana Trouvé. The strange Life of Things”, 2025, Palazzo Grassi, Venezia. Photo Marco Cappelletti and Giuseppe Miotto / Marco Cappelletti Studio © Palazzo Grassi, Pinault Collection https://cplusc.xyz/wp-content/uploads/2025/07/iv_tatianatrouve_22.jpgiv_tatianatrouvé_22Tatiana Trouvé​, Studies, 2012-2023, Collection of the artist © Tatiana Trouvé, by SIAE 2025. Installation view, “Tatiana Trouvé. The strange Life of Things”, 2025, Palazzo Grassi, Venezia. Photo Marco Cappelletti and Giuseppe Miotto / Marco Cappelletti Studio © Palazzo Grassi, Pinault Collection https://cplusc.xyz/wp-content/uploads/2025/07/iv_tatianatrouve_12.jpgiv_tatianatrouvé_12Tatiana Trouvé​, The Residents, 2021-25, Collection of the artist, courtesy Gagosian; The Guardian 2019, Pinault Collection © Tatiana Trouvé, by SIAE 2025. Installation view, “Tatiana Trouvé. The strange Life of Things”, 2025, Palazzo Grassi, Venezia. Photo Marco Cappelletti and Giuseppe Miotto / Marco Cappelletti Studio © Palazzo Grassi, Pinault Collection2025-07-16T15:01:37+00:00monthlyhttps://cplusc.xyz/2025/07/17/exhibition-review-manifestica-venice/https://cplusc.xyz/wp-content/uploads/2025/07/000323860009-1.jpg000323860009Manifestica, installation view at terzospazio, Venice, 2025. Photo Tommaso Carradorihttps://cplusc.xyz/wp-content/uploads/2025/07/000323860008.jpg000323860008Manifestica, installation view at terzospazio, Venice, 2025. Photo Tommaso Carradorihttps://cplusc.xyz/wp-content/uploads/2025/07/000323860005.jpg000323860005Manifestica, installation view at terzospazio, Venice, 2025. Photo Tommaso Carradorihttps://cplusc.xyz/wp-content/uploads/2025/07/000323860009.jpg0003238600092025-07-16T15:00:30+00:00monthlyhttps://cplusc.xyz/2025/07/17/exhibition-reviews-arte-poverissima-venice/https://cplusc.xyz/wp-content/uploads/2025/07/1744269348661.jpg1744269348661Arte Poverissima, exhibition view, Associazione Culturale Spiazzi, Venezia 2025. Photo Valeria Maffei https://cplusc.xyz/wp-content/uploads/2025/07/1744270264012.jpg1744270264012Arte Poverissima, exhibition view, Associazione Culturale Spiazzi, Venezia 2025. Photo Valeria Maffei https://cplusc.xyz/wp-content/uploads/2025/07/1744269348759.jpg1744269348759Arte Poverissima, exhibition view, Associazione Culturale Spiazzi, Venezia 2025. Photo Valeria Maffei https://cplusc.xyz/wp-content/uploads/2025/07/1744269348802.jpg1744269348802Arte Poverissima, exhibition view, Associazione Culturale Spiazzi, Venezia 2025. Photo Valeria Maffei https://cplusc.xyz/wp-content/uploads/2025/07/1744269348780.jpg1744269348780Arte Poverissima, exhibition view, Associazione Culturale Spiazzi, Venezia 2025. Photo Valeria Maffei https://cplusc.xyz/wp-content/uploads/2025/07/1744270263910.jpg1744270263910Arte Poverissima, exhibition view, Associazione Culturale Spiazzi, Venezia 2025. Photo Valeria Maffei https://cplusc.xyz/wp-content/uploads/2025/07/1744270263935.jpg1744270263935Arte Poverissima, exhibition view, Associazione Culturale Spiazzi, Venezia 2025. Photo Valeria Maffei https://cplusc.xyz/wp-content/uploads/2025/07/1744269348718.jpg1744269348718Arte Poverissima, exhibition view, Associazione Culturale Spiazzi, Venezia 2025. Photo Valeria Maffei https://cplusc.xyz/wp-content/uploads/2025/07/1744270263985.jpg1744270263985Arte Poverissima, exhibition view, Associazione Culturale Spiazzi, Venezia 2025. Photo Valeria Maffei https://cplusc.xyz/wp-content/uploads/2025/07/1744270264037.jpg1744270264037Arte Poverissima, exhibition view, Associazione Culturale Spiazzi, Venezia 2025. Photo Valeria Maffei 2025-07-16T13:22:35+00:00monthlyhttps://cplusc.xyz/2025/07/17/exhibition-reviews-rob-tuckers-painting/https://cplusc.xyz/wp-content/uploads/2025/07/rob-tucker-5-1.jpegRob Tucker 5 (1)Perpetuate the Dreams, 193 Gallery, Venice, 2025. In the foreground: Rob Tucker, The bridge before the hills, 2024. Installation view. Photo Credit: Elena Andreato / Courtesy: Rob Tucker https://cplusc.xyz/wp-content/uploads/2025/07/rob-tucker-4-1.jpegRob Tucker 4 (1)Perpetuate the Dreams, 193 Gallery, Venezia, 2025. In primo piano: Rob Tucker, A Dark and Gloomy Nightcap, 2024. Installation view. Photo Credit: Elena Andreato / Courtesy: Rob Tucker https://cplusc.xyz/wp-content/uploads/2025/07/an-ambiguous-breakfast.-90-by-100cm-1.jpgAn-ambiguous-breakfast.-90-by-100cm (1)Rob Tucker, An Ambiguous Breakfast, 2024. Acrylic painting, oil pastel and stick, oil varnish, diluted dye, and water pencil with an epoxy resin finish, 90 x 100 cm. Photo Credit: Elena Andreato / Courtesy: Rob Tucker https://cplusc.xyz/wp-content/uploads/2025/07/one-comfortable-cupa.-90-by-100cm-1.jpgOne-comfortable-cupa.-90-by-100cm (1)Rob Tucker, One Comfortable Cupa, 2024. Acrylic paint, oil pastel and stick, oil glaze, diluted dye and watercolour pencil with epoxy resin finish, 90 × 100 cm. Photo credit: Elena Andreato / Courtesy: Rob Tucker2025-07-16T13:21:12+00:00monthlyhttps://cplusc.xyz/2025/07/17/exhibition-reviews-loris-cecchini-venice/2025-07-16T13:10:36+00:00monthlyhttps://cplusc.xyz/2025/07/17/locarno-residency-cinema-venice/https://cplusc.xyz/wp-content/uploads/2025/07/img_1193-1.jpgIMG_1193 (1)Locarno Residency. Photo Credit: Irene Ciceri / Courtesy: Consolato Svizzero Veneziahttps://cplusc.xyz/wp-content/uploads/2025/07/img_1195-1.jpgIMG_1195 (1)Locarno Residency. Photo Credit: Irene Ciceri / Courtesy: Consolato Svizzero Veneziahttps://cplusc.xyz/wp-content/uploads/2025/07/img_1194-1.jpgIMG_1194 (1)Locarno Residency. Photo Credit: Irene Ciceri / Courtesy: Consolato Svizzero Venezia2025-07-16T13:04:23+00:00monthlyhttps://cplusc.xyz/2025/07/03/augusto-maurandi-spazio-punch-venice/https://cplusc.xyz/wp-content/uploads/2025/07/didascalie-immagini-spazio-punch.jpgDidascalie immagini Spazio PunchAugusto Maurandi Creative Director Spazio Punch https://cplusc.xyz/wp-content/uploads/2025/07/garage-dallegret-1.jpgGarage Dallegret 1Exhibition view of GARAGE DALLEGRET at Spazio Punch, Venice, 2023. Courtesy of Marco Cappellettihttps://cplusc.xyz/wp-content/uploads/2025/07/garage-dallegret-.jpgGarage DallegretExhibition view of GARAGE DALLEGRET at Spazio Punch, Venice, 2023. Courtesy of Marco Cappellettihttps://cplusc.xyz/wp-content/uploads/2025/07/spazio-punch-website-projects-section-june-2025.-courtesy-of-augusto-maurandi-spazio-punch.pngSpazio Punch website, Projects section, June 2025. 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Courtesy Mare Karinahttps://cplusc.xyz/wp-content/uploads/2025/07/marekarina_brunoalfieri_08.jpgBruno Alfieri. Publishing and magazines for contemporary art and architecture, exhibition view, Mare Karina, Venice 2025. Photo Tiziano Ercoli. Courtesy Mare KarinaBruno Alfieri. Publishing and magazines for contemporary art and architecture, exhibition view, Mare Karina, Venice 2025. Photo Tiziano Ercoli. Courtesy Mare Karinahttps://cplusc.xyz/wp-content/uploads/2025/07/marekarina_brunoalfieri_15.jpgBruno Alfieri. Publishing and magazines for contemporary art and architecture, exhibition view, Mare Karina, Venice 2025. Photo Tiziano Ercoli. Courtesy Mare KarinaBruno Alfieri. Publishing and magazines for contemporary art and architecture, exhibition view, Mare Karina, Venice 2025. Photo Tiziano Ercoli. Courtesy Mare Karinahttps://cplusc.xyz/wp-content/uploads/2025/07/marekarina_brunoalfieri_16.jpgBruno Alfieri. Publishing and magazines for contemporary art and architecture, exhibition view, Mare Karina, Venice 2025. Photo Tiziano Ercoli. Courtesy Mare KarinaBruno Alfieri. Publishing and magazines for contemporary art and architecture, exhibition view, Mare Karina, Venice 2025. Photo Tiziano Ercoli. Courtesy Mare Karinahttps://cplusc.xyz/wp-content/uploads/2025/07/marekarina_brunoalfieri_02.jpgBruno Alfieri. Publishing and magazines for contemporary art and architecture, exhibition view, Mare Karina, Venice 2025. Photo Tiziano Ercoli. Courtesy Mare KarinaBruno Alfieri. Publishing and magazines for contemporary art and architecture, exhibition view, Mare Karina, Venice 2025. Photo Tiziano Ercoli. Courtesy Mare Karinahttps://cplusc.xyz/wp-content/uploads/2025/07/marekarina_brunoalfieri_11.jpgBruno Alfieri. Publishing and magazines for contemporary art and architecture, exhibition view, Mare Karina, Venice 2025. Photo Tiziano Ercoli. Courtesy Mare KarinaBruno Alfieri. 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Courtesy Mare Karinahttps://cplusc.xyz/wp-content/uploads/2025/07/marekarina_brunoalfieri_01.jpgBruno Alfieri. Publishing and magazines for contemporary art and architecture, exhibition view, Mare Karina, Venice 2025. Photo Tiziano Ercoli. Courtesy Mare KarinaBruno Alfieri. Publishing and magazines for contemporary art and architecture, exhibition view, Mare Karina, Venice 2025. Photo Tiziano Ercoli. Courtesy Mare Karina2025-07-16T09:00:34+00:00monthlyhttps://cplusc.xyz/2025/07/10/exhibition-reviews-nino-kapanadzes-exhibition-thiene/https://cplusc.xyz/wp-content/uploads/2025/07/gio_4026_-1.jpgGIO_4026_ (1)Rendezvous, Fondazione Sandra e Giancarlo Bonollo, Thiene, 2025. In the foreground: Nino Kapanadze, Tanto gentile e tanto onesta, 2025; in the background: Nino Kapanadze, Incontro, 2025. Installation view. Photo credit: Giovanni Canova / Courtesy: Fondazione Sandra e Giancarlo Bonollohttps://cplusc.xyz/wp-content/uploads/2025/07/gio_4123-1.jpgGIO_4123 (1)Rendezvous, Fondazione Sandra e Giancarlo Bonollo, Thiene, 2025. In the foreground: Nino Kapanadze, Rendezvous 1 to Rendezvous 26, 2024–2025. Installation view. Photo credit: Giovanni Canova / Courtesy: Fondazione Sandra e Giancarlo Bonollohttps://cplusc.xyz/wp-content/uploads/2025/07/gio_3953-1.jpgGIO_3953 (1)Rendezvous, Fondazione Sandra e Giancarlo Bonollo, Thiene, 2025. In the foreground: Nino Kapanadze, Rendezvous 30, 2025. Installation view. Photo credit: Giovanni Canova / Courtesy: Fondazione Sandra e Giancarlo Bonollohttps://cplusc.xyz/wp-content/uploads/2025/07/gio_3968-1.jpgGIO_3968 (1)Rendezvous, Fondazione Sandra e Giancarlo Bonollo, Thiene, 2025. From left to right: Nino Kapanadze, Rendezvous 28, Rendezvous 31 and Rendezvous 27, 2025. Installation view. 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Photo credit: Giovanni Canova / Courtesy: Fondazione Sandra e Giancarlo Bonollo2025-07-16T08:59:25+00:00monthlyhttps://cplusc.xyz/2025/07/10/exhibition-reviews-mogliano-veneto-safet-zec/https://cplusc.xyz/wp-content/uploads/2025/07/safet-zec-porta-di-legno-2012-tempera-e-collage-su-carta-tela-su-telaio-in-legno-200c397160cm_1.jpgSafet Zec, Porta di legno, 2012, tempera e collage su carta, tela su telaio in legno, 200×160cm_1Safet Zec, Porta di legno, 2012, tempera and collage on paper, canvas on wooden stretcher, 200×160 cmhttps://cplusc.xyz/wp-content/uploads/2025/07/safet-zec-tavolo-con-colori-2009-tempera-collage-su-carta-e-tela-120c397160cm.jpgSafet Zec, Tavolo con colori, 2009, tempera, collage su carta e tela, 120×160cmSafet Zec, Tavolo con colori, 2009, tempera, collage on paper and canvas, 120×160 cmhttps://cplusc.xyz/wp-content/uploads/2025/07/safet-zec-porta-veneziana-con-numero-2018-tempera-collage-su-carta-e-tela-70c39750cm-2.jpgSafet Zec, Porta veneziana con numero, 2018, tempera, collage su carta e tela, 70×50cmSafet Zec, Porta veneziana con numero, 2018, tempera, collage on paper and canvas, 70×50 cmhttps://cplusc.xyz/wp-content/uploads/2025/07/safet-zec-abbraccio-2000-olio-e-collage-su-tela-100c39780cm.jpgSafet Zec, Abbraccio, 2000, olio e collage su tela, 100×80cmSafet Zec, Abbraccio, 2000, oil and collage on canvas, 100×80 cmhttps://cplusc.xyz/wp-content/uploads/2025/07/safet-zec-porta-veneziana-con-numero-2018-tempera-collage-su-carta-e-tela-70c39750cm-1.jpgSafet Zec, Porta veneziana con numero, 2018, tempera, collage su carta e tela, 70×50cmhttps://cplusc.xyz/wp-content/uploads/2025/07/safet-zec-porta-veneziana-con-numero-2018-tempera-collage-su-carta-e-tela-70c39750cm.jpgSafet Zec, Porta veneziana con numero, 2018, tempera, collage su carta e tela, 70×50cm2025-07-16T08:57:54+00:00monthlyhttps://cplusc.xyz/2025/07/10/interview-artist-flavia-spasari/https://cplusc.xyz/wp-content/uploads/2025/07/screenshot-2025-03-07-alle-16.41.31-1.pngScreenshot 2025-03-07 alle 16.41.31 (1)Flavia Spasari, fix it till you make it, 2025, installation of various dimensions. Archival materials, fax, ultrasound and X-ray images, engraving, laryngeal polyp forceps, walkman. Installation view from Overlapping Heads at Palazzetto Tito, Fondazione Bevilacqua La Masa, Venice. Courtesy of the artisthttps://cplusc.xyz/wp-content/uploads/2025/07/screenshot-2025-03-07-alle-16.41.04.pngScreenshot 2025-03-07 alle 16.41.04Flavia Spasari, fix it till you make it, 2025, installation of various dimensions. Archival materials, fax, ultrasound and X-ray images, engraving, laryngeal polyp forceps, walkman. Installation view from Overlapping Heads at Palazzetto Tito, Fondazione Bevilacqua La Masa, Venice. Courtesy of the artisthttps://cplusc.xyz/wp-content/uploads/2025/07/screenshot-2025-03-07-alle-16.41.24.pngScreenshot 2025-03-07 alle 16.41.24Flavia Spasari, fix it till you make it, 2025, installation of various dimensions. Archival materials, fax, ultrasound and X-ray images, engraving, laryngeal polyp forceps, walkman. 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Photo credit: Diego De Polhttps://cplusc.xyz/wp-content/uploads/2025/06/debello_gresart671_photodiegodepol_8.jpgdebello_gresart671_photoDiegoDePol_8de bello. notes on war and peace, installation view, gres art 671, Bergamo. Photo credit: Diego De Polhttps://cplusc.xyz/wp-content/uploads/2025/06/35_36_debello_gresart671_photo.paolobiava.jpg35_36_debello_gresart671_photo.PaoloBiavade bello. notes on war and peace, installation view, gres art 671, Bergamo. Photo credit: Diego De Polhttps://cplusc.xyz/wp-content/uploads/2025/06/17abcd_debello_gresart671_photodiegodepol_7.jpg17ABCD_debello_gresart671_photoDiegoDePol_7de bello. notes on war and peace, installation view, gres art 671, Bergamo. Photo credit: Diego De Polhttps://cplusc.xyz/wp-content/uploads/2025/06/27_35_36_debello_gresart671_photodiegodepol.jpg27_35_36_debello_gresart671_photoDiegoDePolde bello. notes on war and peace, installation view, gres art 671, Bergamo. Photo credit: Diego De Polhttps://cplusc.xyz/wp-content/uploads/2025/06/19_debello_gresart671_photodiegodepol_9.jpg19_debello_gresart671_photoDiegoDePol_9de bello. notes on war and peace, installation view, gres art 671, Bergamo. Photo credit: Diego De Polhttps://cplusc.xyz/wp-content/uploads/2025/06/29_23_debello_gresart671_photodiegodepol_11.jpg29_23_debello_gresart671_photoDiegoDePol_11de bello. notes on war and peace, installation view, gres art 671, Bergamo. Photo credit: Diego De Polhttps://cplusc.xyz/wp-content/uploads/2025/06/28_33_debello_gresart671_photopaolobiava.jpg28_33_debello_gresart671_photoPaoloBiavade bello. notes on war and peace, installation view, gres art 671, Bergamo. Photo credit: Diego De Pol2025-06-26T10:37:37+00:00monthlyhttps://cplusc.xyz/2025/06/26/studio-visit-eleonora-busato-photography/https://cplusc.xyz/wp-content/uploads/2025/06/eleonora-busato-senza-titolo-dalla-serie-le-jardin-deden-2024.-stampa-cianotipica-su-carta-12-1-1.jpgEleonora Busato, Senza titolo, dalla serie Le Jardin d’Éden, 2024. Stampa cianotipica su carta, 12 (1) (1)Eleonora Busato, Untitled, from the series Le Jardin d’Éden, 2024, cyanotype print on paper, 12.5 × 12.5 cmhttps://cplusc.xyz/wp-content/uploads/2025/06/eleonora-busato-senza-titolo-dalla-serie-le-jardin-deden-2024.-stampa-cianotipica-su-carta-1.jpgEleonora Busato, Senza titolo, dalla serie Le Jardin d’Éden, 2024. Stampa cianotipica su carta, 1Eleonora Busato, Untitled, from the series Le Jardin d’Éden, 2024, cyanotype print on paper, 12.5 × 12.5 cmhttps://cplusc.xyz/wp-content/uploads/2025/06/eleonora-busato-senza-titolo-dalla-serie-looking-for-god-2024.-scansione-digitale-di-stampa-inkj-1.jpgEleonora Busato, Senza titolo, dalla serie Looking for God, 2024. Scansione digitale di stampa inkj (1)Eleonora Busato, Untitled, from the series Looking for God, 2024, digital scan of inkjet print, variable dimensionshttps://cplusc.xyz/wp-content/uploads/2025/06/eleonora-busato-senza-titolo-dalla-serie-looking-for-god-2024.-scansione-digitale-di-stampa-in.jpgEleonora Busato, Senza titolo, dalla serie Looking for God, 2024. 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